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On the Perfect Sphere
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"This essay explores circular compositions in medieval and early modern art. Delving into the intersection of religious, philosophical, and scientific ideas, the text examines the prevalence of circular depictions in medieval and early modern aesthetics. Utilizing an interdisciplinary approach, the author draws from primary Hermetic and Neoplatonic sources, providing four reasons for this preference."

Roger Ferrer-Ventosa

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https://www.mdpi.com/2077-1444/15/2/171
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