Unknown artist - circle of Teniers.

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"Stećak is the official name for approximately 70,000 mysterious medieval tombstones scattered across Bosnia and Herzegovina, and the border areas of Croatia, Montenegro, and Serbia. To understand the meaning of the many symbols of alchemy and theurgy on the stećak tombstones, a researcher of medieval religions must relate to a world in which spirituality and Hermetic philosophy play a central role."

https://amerdardagan.wordpress.com/2017/...osophorum/

Dozens of academic dictionaries online at:

https://en-academic.com/

including a dictionary of Latin abbreviations:

https://abbr_lat.en-academic.com/

"Alchemy is a science that lives from its secrets and cultivates them in image and writing. Hermaphrodites, phoenixes, lions, eagles, ravens, kings and queens populate the dreamlike worldscapes of the alchemical imagery. An overview of the significance of the portraits of great alchemists."

https://www.aurorapharma.com/en/alchemist-portraet/

"Rubens 'Theoretical notebook'...consists in a booklet or, in Michael Jaffé’s words, a «vade mecum», in which the Flemish master registered and developed art theoretical insights based on hermetic and esoteric traditions".

https://www.academia.edu/44287312/Rubens...tury_Italy


Rubens' 'Theoretical notebook':

https://www.heritage-kbf.be/collection/c...l-notebook


Rubens and Spontaneous Generation (some alchemical references):

https://jhna.org/articles/matter-as-an-a...eneration/

The Royal Typographer and the Alchemist: John Dee, Willem Silvius, and the Diagrammatic Alchemy of the Monas Hieroglyphica

Stephen Clucas
Birkbeck, University of London, UK



"John Dee’s Monas Hieroglyphica (1564) was a work which involved a close collaboration between its author and his ‘singular friend’ the Antwerp printer Willem Silvius, in whose house Dee was living whilst he composed the work and saw it through the press. This article considers the reasons why Dee chose to collaborate
with Silvius, and the importance of the intellectual culture – and the print trade – of the Low Countries to the development of Dee’s outlook. Dee’s Monas was probably the first alchemical work which focused exclusively on the diagrammatic representation of the alchemical process, combining diagrams, cosmological schemes and various forms of tabular grid."


https://core.ac.uk/download/pdf/96658964.pdf

The Plantin–Moretus Museum (Dutch: Plantin-Moretusmuseum) is a printing museum in Antwerp, Belgium which focuses on the work of the 16th-century printers Christophe Plantin and Jan Moretus. It is located in their former residence and printing establishment, the Plantin Press, at the Vrijdagmarkt (Friday Market) in Antwerp, and has been a UNESCO World Heritage Site since 2005. It offers an exceptional insight into how printed books were produced in the 16th and 17th centuries.

https://en.wikipedia.org/wiki/Plantin%E2...tus_Museum


Video tour with commentary in German with not-too-bad automatic translation available
https://www.youtube.com/watch?v=XMu0prR6-XE


Video tour without commentary
https://www.youtube.com/watch?app=desktop&v=MZE0tFtTZis


Guidebook here:
https://museumplantinmoretus.be/sites/pl...klein_.pdf


   

At Scribd:

https://fr.scribd.com/document/115795502...of-Alchemy

A wonderful collection of books and articles at the website of ARAS, the Archive for Research in Archetypal Symbolism (ARAS), a pictorial and written archive of mythological, ritualistic, and symbolic images from all over the world and from all epochs of human history.

https://aras.org/library

A summary of Joseph L. Henderson's March 18, 1990 slide and lecture presentation before The San Francisco Friends of ARAS, entitled "The Rosarium Philosophorum"

Daniel S. Benveniste, Ph.D.

https://aras.org/sites/default/files/doc...derson.pdf