Alchemical miscellany. Description: ff. 119 - Original, north Italian, 1542.

https://archive.org/details/MellonMS32_47

"Find all alchemical books and texts everything in one place, translated into multiple languages with many ancient authors"


https://www.alchemy-texts.com/

Video/Audio Book.

Première in 8 hours.

https://www.youtube.com/watch?v=njySsIiUEoI

"This website is devoted to helping individuals understand and apply the principles of alchemy. Alchemy’s most basic tenet is that there are two ways of knowing reality. Learning to work with both of them is how the journey of transformation begins."


https://www.alchemylab.com/

(Alchemical Meditation Music - Instrumental) 


https://www.youtube.com/watch?v=NxhMO_F6nzo

Short article:

"Back when I first began my Plath work, writing what would become Fixed Stars Govern a Life: Decoding Sylvia Plath (2014, Stephen F. Austin State University Press), I didn’t know squat about alchemy. I am still, by no means, an expert, save for getting the basic principles down from reading some of the texts that Plath read. As I first got into this work, I couldn’t get away from the metals and chemicals! They were everywhere in Ariel: tin, arsenic, mercury, lead, silver and gold. And the elements of air, water, earth and fire were everywhere too. It could not be ignored."

https://juliagordonbramer.com/plath-and-alchemy/

"This is the fourth in a series of blogs that discuss diagrams in the arts and sciences. I recently completed my PhD on this subject at Kyoto city University of the Arts, Japan's oldest Art School... By the end of the middle ages in Europe, Western Alchemy had adopted the diagrammatic format as its medium of choice, and the early fifteenth century witnessed the rapid emergence of the alchemical diagram as a means of codifying, arranging and recording alchemical transmutations."

https://www.michael-whittle.com/diagrams...laboratory

"The second series of Daniel Cramer Emblemata Sacra engravings. The introductory Coronor emblem immediately suggests that we are in a phase after Classical Alchemy. We are in theurgy."

https://www.labyrinthdesigners.org/alche...r-mutus-2/

The first recorded Christmas card was sent by the alchemist Michael Maier to James I of England and his son Henry Frederick, Prince of Wales in 1611. This discovery was made by our very own Adam McLean at the Scottish Record Office in 1979. The card did not include the now traditional imagery but a simple greeting with the words laid out to form a rose:



“A greeting on the birthday of the Sacred King, to the most worshipful and energetic lord and most eminent James, King of Great Britain and Ireland, and Defender of the true faith, with a gesture of joyful celebration of the Birthday of the Lord, in most joy and fortune, we enter into the new auspicious year 1612”





A very happy alchemical Christmas (or whatever) to you all and have a great 2024!




   

Harry Everett Smith, who was born in 1923 and died in 1991, was a lot of things. Wikipedia describes him first as a polymath, then as an ‘artist, experimental filmmaker, bohemian, mystic, record collector, hoarder, student of anthropology and a Neo-Gnostic bishop’. The title of an unbridled oral history that Semiotext(e) published in 1996, meanwhile, rolls all his roles into the phrase American Magus. Does any of that help to articulate what Smith was? Perhaps not, but there is the promise of a clearer reflection in New York’s Whitney Museum of American Art’s upcoming retrospective exploration of Smith’s many-sided activity, Fragments of a Faith Forgotten: The Art of Harry Smith.


In New York, where Smith lived from the 1950s onwards, he met Ginsberg (who became a longstanding supporter); began studying mysticism in earnest, particularly Kabbalah and the works of Aleister Crowley; and alongside other pursuits (meticulous scratchboard illustrations and drawings; amassing a vast collection of found paper airplanes) made increasingly ambitious and intricate films. Some of these, like the black-and-white animation using cutouts from Victorian catalogues to depict a series of alchemical transformations, Film No. 12: Heaven and Earth Magic (1957–62), were supposedly meant to run for six hours (the existing cut only lasts for one).

From:
https://artreview.com/what-to-make-of-harry-smith/


Exhibition announced here:
https://whitney.org/exhibitions/harry-smith


Film no. 12 here:
https://www.youtube.com/watch?v=zbjSSyAo9WA