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		<title><![CDATA[Alchemy Discussion Forum - Alchemy texts]]></title>
		<link>https://www.alchemywebsite.com/forums/</link>
		<description><![CDATA[Alchemy Discussion Forum - https://www.alchemywebsite.com/forums]]></description>
		<pubDate>Tue, 01 Sep 2026 05:29:12 +0000</pubDate>
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		<item>
			<title><![CDATA[Splendor Solis]]></title>
			<link>https://www.alchemywebsite.com/forums/showthread.php?tid=3515</link>
			<pubDate>Fri, 28 Aug 2026 14:29:34 +0100</pubDate>
			<dc:creator><![CDATA[<a href="https://www.alchemywebsite.com/forums/member.php?action=profile&uid=2">Paul Ferguson</a>]]></dc:creator>
			<guid isPermaLink="false">https://www.alchemywebsite.com/forums/showthread.php?tid=3515</guid>
			<description><![CDATA[The Art of Splendor Solis, the Most Glorious Illuminated Alchemical Manuscript of Them All<br />
<br />
<a href="https://misryoum.com/the-art-of-splendor-solis-the-most-glorious-illuminated-alchemical-manuscript-of-them-all" target="_blank" rel="noopener" class="mycode_url">https://misryoum.com/the-art-of-splendor...f-them-all</a>]]></description>
			<content:encoded><![CDATA[The Art of Splendor Solis, the Most Glorious Illuminated Alchemical Manuscript of Them All<br />
<br />
<a href="https://misryoum.com/the-art-of-splendor-solis-the-most-glorious-illuminated-alchemical-manuscript-of-them-all" target="_blank" rel="noopener" class="mycode_url">https://misryoum.com/the-art-of-splendor...f-them-all</a>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[The Rota Alphabetalis]]></title>
			<link>https://www.alchemywebsite.com/forums/showthread.php?tid=3502</link>
			<pubDate>Tue, 25 Aug 2026 15:44:02 +0100</pubDate>
			<dc:creator><![CDATA[<a href="https://www.alchemywebsite.com/forums/member.php?action=profile&uid=2">Paul Ferguson</a>]]></dc:creator>
			<guid isPermaLink="false">https://www.alchemywebsite.com/forums/showthread.php?tid=3502</guid>
			<description><![CDATA[Reason Tried by Fire: The Rota Alphabetalis and Other Logical and Mnemonic Devices in the Pseudo-Lullian Alchemical Codicillus<br />
<br />
Gorini González, Diego<br />
<br />
"This article explores the Codicillus, a pivotal yet understudied text within the pseudo-Lullian alchemical corpus, dating back to the mid-fourteenth century. The aim is to present the conceptual development of the alchemical doctrine contained in the work by elucidating its key logical and mnemonic devices. These include the three alchemical principles (material, demonstrative and operative), the division of the opus in four stages, the so-called ‘science of middles and extremes’, and an alphabetical wheel of the elements. Through this analysis, the Codicillus emerges as a remarkable instance of operational rationality in medieval experimental science, as well as an early application of the ‘Art of Memory’ to alchemy."<br />
<br />
<a href="https://directory.doabooks.org/handle/20.500.12854/180895" target="_blank" rel="noopener" class="mycode_url">https://directory.doabooks.org/handle/20...854/180895</a>]]></description>
			<content:encoded><![CDATA[Reason Tried by Fire: The Rota Alphabetalis and Other Logical and Mnemonic Devices in the Pseudo-Lullian Alchemical Codicillus<br />
<br />
Gorini González, Diego<br />
<br />
"This article explores the Codicillus, a pivotal yet understudied text within the pseudo-Lullian alchemical corpus, dating back to the mid-fourteenth century. The aim is to present the conceptual development of the alchemical doctrine contained in the work by elucidating its key logical and mnemonic devices. These include the three alchemical principles (material, demonstrative and operative), the division of the opus in four stages, the so-called ‘science of middles and extremes’, and an alphabetical wheel of the elements. Through this analysis, the Codicillus emerges as a remarkable instance of operational rationality in medieval experimental science, as well as an early application of the ‘Art of Memory’ to alchemy."<br />
<br />
<a href="https://directory.doabooks.org/handle/20.500.12854/180895" target="_blank" rel="noopener" class="mycode_url">https://directory.doabooks.org/handle/20...854/180895</a>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[Lehigh Codex 10]]></title>
			<link>https://www.alchemywebsite.com/forums/showthread.php?tid=3497</link>
			<pubDate>Tue, 25 Aug 2026 15:00:21 +0100</pubDate>
			<dc:creator><![CDATA[<a href="https://www.alchemywebsite.com/forums/member.php?action=profile&uid=2">Paul Ferguson</a>]]></dc:creator>
			<guid isPermaLink="false">https://www.alchemywebsite.com/forums/showthread.php?tid=3497</guid>
			<description><![CDATA["This late fifteenth-century manuscript, written on paper, contains a compilation of alchemical texts assembled and copied by Arnold of Brussels. For the most part, it was made in Naples between 1472 and 1490, as often noted at the end of works (for example, fols. 149r, 182v, 196v). A group of works in the middle of the volume appear to be in a different, possibly German, hand (fols. 79-101). As well as lists of philosophers, recipes, and key alchemical terms, it contains a number of texts and treatises of historical importance. These include the pseudo-Albertus Magnus's "Semita Recta" ("The Straight Path," fols. 17v-18r) and Hermes Trismegistus's "Obra de la Alkimia" ("The Work of Alchemy," ff. 30v-32v), as well as multiple works or excerpts of works by Jābir ibn Ḥayyān (known as Geber), Ramon Llull, Arnold of Villanova, and Pliny the Elder among others. For more information, see Hirsh (1970). The text is simply adorned with colored initials and paraph markers, but has been further embellished by later readers with simple line-fillers, a large number of manicules(*), and – perhaps most interestingly – sketches of alchemical apparatus (fols. 19v-20r). Later hands have made annotations and additions to the text throughout. There are multiple conflicting systems of foliation, and the quires appear to have been reordered at least once before being bound in their current order. Some of the leaves are damaged and many have had their margins repaired. Others are almost completely detached from the text block (for example, fol. 94)."<br />
<br />
(*) The manicule, ☞, is a typographical mark with the appearance of a hand with its index finger extended in a pointing gesture. <br />
<br />
<a href="https://preserve.lehigh.edu/digital-special-collections/medieval-manuscripts/lehigh-codex-10-alchemical-writings" target="_blank" rel="noopener" class="mycode_url">https://preserve.lehigh.edu/digital-spec...l-writings</a>]]></description>
			<content:encoded><![CDATA["This late fifteenth-century manuscript, written on paper, contains a compilation of alchemical texts assembled and copied by Arnold of Brussels. For the most part, it was made in Naples between 1472 and 1490, as often noted at the end of works (for example, fols. 149r, 182v, 196v). A group of works in the middle of the volume appear to be in a different, possibly German, hand (fols. 79-101). As well as lists of philosophers, recipes, and key alchemical terms, it contains a number of texts and treatises of historical importance. These include the pseudo-Albertus Magnus's "Semita Recta" ("The Straight Path," fols. 17v-18r) and Hermes Trismegistus's "Obra de la Alkimia" ("The Work of Alchemy," ff. 30v-32v), as well as multiple works or excerpts of works by Jābir ibn Ḥayyān (known as Geber), Ramon Llull, Arnold of Villanova, and Pliny the Elder among others. For more information, see Hirsh (1970). The text is simply adorned with colored initials and paraph markers, but has been further embellished by later readers with simple line-fillers, a large number of manicules(*), and – perhaps most interestingly – sketches of alchemical apparatus (fols. 19v-20r). Later hands have made annotations and additions to the text throughout. There are multiple conflicting systems of foliation, and the quires appear to have been reordered at least once before being bound in their current order. Some of the leaves are damaged and many have had their margins repaired. Others are almost completely detached from the text block (for example, fol. 94)."<br />
<br />
(*) The manicule, ☞, is a typographical mark with the appearance of a hand with its index finger extended in a pointing gesture. <br />
<br />
<a href="https://preserve.lehigh.edu/digital-special-collections/medieval-manuscripts/lehigh-codex-10-alchemical-writings" target="_blank" rel="noopener" class="mycode_url">https://preserve.lehigh.edu/digital-spec...l-writings</a>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[Die theoretischen Brüder (attr. von Löhrbach)]]></title>
			<link>https://www.alchemywebsite.com/forums/showthread.php?tid=3496</link>
			<pubDate>Mon, 24 Aug 2026 10:11:51 +0100</pubDate>
			<dc:creator><![CDATA[<a href="https://www.alchemywebsite.com/forums/member.php?action=profile&uid=2">Paul Ferguson</a>]]></dc:creator>
			<guid isPermaLink="false">https://www.alchemywebsite.com/forums/showthread.php?tid=3496</guid>
			<description><![CDATA[No complete, official English translation of *Die theoretischen Brüder oder zweite Stuffe der Rosenkreutzer und ihrer Instruktion* exists in a standalone commercial book format. However, key excerpts, instructional sections, and grade descriptions have been translated and analyzed by historians of Western Esotericism—most notably Christopher McIntosh in his seminal study *The Rose Cross and the Age of Reason*.<br />
<br />
The title translates to: **"The Theoretical Brothers, or Second Degree of the Rosicrucians and Their Instruction."**<br />
<br />
 Origin & Context:<br />
<br />
First published anonymously in 1785 (attributed to Graf von Löhrbach), the text was a classic 18th-century "expose". The publisher claimed to have obtained the internal manuscripts by accident, releasing them to the public to unveil the secret teachings of the **Order of the Gold- und Rosenkreuz** (Golden and Rosy Cross), an influential Rosicrucian-Masonic offshoot active during the German Counter-Enlightenment.<br />
<br />
What the Book Contains:<br />
<br />
The book leaks the operational material and instructional curriculum for the 2nd Degree (*Theoricus*) of the 9-grade Rosicrucian system—a structure that was later adapted by modern esoteric groups such as the Hermetic Order of the Golden Dawn.<br />
<br />
1. **Rituals and Ceremonies**<br />
* Detailed descriptions of the initiation ceremonies, floor plans, and symbolic carpets (*Tapis*) used for the degree of *Theoricus*.<br />
* The catechism and dialogue exchanged between the lodge officers and the initiate.<br />
<br />
2. **Theoretical Curriculum (Natural Philosophy)**<br />
* **Cosmology & Creation:** Lectures explaining the origins of the universe, light, dark, and divine emanations.<br />
* **Element & Planetary Theory:** Instruction on Paracelsian natural philosophy, linking the seven planets to specific metals, body systems, and diseases.<br />
* **Pansophy:** Synthesizing Lutheran theology with Hermeticism, Kabbalah, and sacred geometry.<br />
<br />
<span style="font-weight: bold;" class="mycode_b">3. **Practical Alchemy (The Appendix)**</span><br />
<span style="font-weight: bold;" class="mycode_b">* An appendix containing laboratory instructions from the 3rd (*Practicus*) and 5th (*Philosophus*) degrees.</span><br />
<span style="font-weight: bold;" class="mycode_b">* Step-by-step chemical and spagyric processes for manipulating minerals, sulfur, and mercury in an attempt to work toward the *Magnum Opus* (the Philosopher's Stone).<br />
</span><br />
<br />
<br />
(Gemini AI)<br />
<br />
Text here:<br />
<a href="https://archive.org/details/10434758bsb" target="_blank" rel="noopener" class="mycode_url">https://archive.org/details/10434758bsb</a><br />
<a href="https://digital.staatsbibliothek-berlin.de/werkansicht/?PPN=PPN856608394" target="_blank" rel="noopener" class="mycode_url">https://digital.staatsbibliothek-berlin....N856608394</a>&PHYSID=PHYS_0205<br />
<br />
<br />
Amazon link to McIntosh book here:<br />
<a href="https://www.amazon.com/Rose-Cross-Reason-Eighteenth-Century-Rosicrucianism/dp/1438435606" target="_blank" rel="noopener" class="mycode_url">https://www.amazon.com/Rose-Cross-Reason...1438435606</a>]]></description>
			<content:encoded><![CDATA[No complete, official English translation of *Die theoretischen Brüder oder zweite Stuffe der Rosenkreutzer und ihrer Instruktion* exists in a standalone commercial book format. However, key excerpts, instructional sections, and grade descriptions have been translated and analyzed by historians of Western Esotericism—most notably Christopher McIntosh in his seminal study *The Rose Cross and the Age of Reason*.<br />
<br />
The title translates to: **"The Theoretical Brothers, or Second Degree of the Rosicrucians and Their Instruction."**<br />
<br />
 Origin & Context:<br />
<br />
First published anonymously in 1785 (attributed to Graf von Löhrbach), the text was a classic 18th-century "expose". The publisher claimed to have obtained the internal manuscripts by accident, releasing them to the public to unveil the secret teachings of the **Order of the Gold- und Rosenkreuz** (Golden and Rosy Cross), an influential Rosicrucian-Masonic offshoot active during the German Counter-Enlightenment.<br />
<br />
What the Book Contains:<br />
<br />
The book leaks the operational material and instructional curriculum for the 2nd Degree (*Theoricus*) of the 9-grade Rosicrucian system—a structure that was later adapted by modern esoteric groups such as the Hermetic Order of the Golden Dawn.<br />
<br />
1. **Rituals and Ceremonies**<br />
* Detailed descriptions of the initiation ceremonies, floor plans, and symbolic carpets (*Tapis*) used for the degree of *Theoricus*.<br />
* The catechism and dialogue exchanged between the lodge officers and the initiate.<br />
<br />
2. **Theoretical Curriculum (Natural Philosophy)**<br />
* **Cosmology & Creation:** Lectures explaining the origins of the universe, light, dark, and divine emanations.<br />
* **Element & Planetary Theory:** Instruction on Paracelsian natural philosophy, linking the seven planets to specific metals, body systems, and diseases.<br />
* **Pansophy:** Synthesizing Lutheran theology with Hermeticism, Kabbalah, and sacred geometry.<br />
<br />
<span style="font-weight: bold;" class="mycode_b">3. **Practical Alchemy (The Appendix)**</span><br />
<span style="font-weight: bold;" class="mycode_b">* An appendix containing laboratory instructions from the 3rd (*Practicus*) and 5th (*Philosophus*) degrees.</span><br />
<span style="font-weight: bold;" class="mycode_b">* Step-by-step chemical and spagyric processes for manipulating minerals, sulfur, and mercury in an attempt to work toward the *Magnum Opus* (the Philosopher's Stone).<br />
</span><br />
<br />
<br />
(Gemini AI)<br />
<br />
Text here:<br />
<a href="https://archive.org/details/10434758bsb" target="_blank" rel="noopener" class="mycode_url">https://archive.org/details/10434758bsb</a><br />
<a href="https://digital.staatsbibliothek-berlin.de/werkansicht/?PPN=PPN856608394" target="_blank" rel="noopener" class="mycode_url">https://digital.staatsbibliothek-berlin....N856608394</a>&PHYSID=PHYS_0205<br />
<br />
<br />
Amazon link to McIntosh book here:<br />
<a href="https://www.amazon.com/Rose-Cross-Reason-Eighteenth-Century-Rosicrucianism/dp/1438435606" target="_blank" rel="noopener" class="mycode_url">https://www.amazon.com/Rose-Cross-Reason...1438435606</a>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[Video: Principe on the 12 Keys of Basil Valentine]]></title>
			<link>https://www.alchemywebsite.com/forums/showthread.php?tid=3490</link>
			<pubDate>Fri, 21 Aug 2026 10:48:00 +0100</pubDate>
			<dc:creator><![CDATA[<a href="https://www.alchemywebsite.com/forums/member.php?action=profile&uid=2">Paul Ferguson</a>]]></dc:creator>
			<guid isPermaLink="false">https://www.alchemywebsite.com/forums/showthread.php?tid=3490</guid>
			<description><![CDATA["For centuries, alchemists tried in secret to find a way to produce the philosopher's stone - a legendary item that supposedly has the power to transform base metals into gold. Whoever found a way to do this would be powerful beyond belief, so alchemists hid their work in cryptic artwork and poetry, so that only those who were truly worthy could find their secrets. In this video, I speak to Professor Lawrence Principe, who has spent his career studying the history of alchemy, which has allowed him to decode many of its secret experiments in his own laboratory. He teaches me how to interpret a famous alchemical book called The 12 Keys of Basil Valentine."<br />
<br />
<a href="https://www.youtube.com/watch?v=nZ3BnraatFY" target="_blank" rel="noopener" class="mycode_url">https://www.youtube.com/watch?v=nZ3BnraatFY</a>]]></description>
			<content:encoded><![CDATA["For centuries, alchemists tried in secret to find a way to produce the philosopher's stone - a legendary item that supposedly has the power to transform base metals into gold. Whoever found a way to do this would be powerful beyond belief, so alchemists hid their work in cryptic artwork and poetry, so that only those who were truly worthy could find their secrets. In this video, I speak to Professor Lawrence Principe, who has spent his career studying the history of alchemy, which has allowed him to decode many of its secret experiments in his own laboratory. He teaches me how to interpret a famous alchemical book called The 12 Keys of Basil Valentine."<br />
<br />
<a href="https://www.youtube.com/watch?v=nZ3BnraatFY" target="_blank" rel="noopener" class="mycode_url">https://www.youtube.com/watch?v=nZ3BnraatFY</a>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[Sammlung unterschiedl. bewährter Chymischer Schriften]]></title>
			<link>https://www.alchemywebsite.com/forums/showthread.php?tid=3478</link>
			<pubDate>Tue, 11 Aug 2026 09:23:25 +0100</pubDate>
			<dc:creator><![CDATA[<a href="https://www.alchemywebsite.com/forums/member.php?action=profile&uid=2">Paul Ferguson</a>]]></dc:creator>
			<guid isPermaLink="false">https://www.alchemywebsite.com/forums/showthread.php?tid=3478</guid>
			<description><![CDATA[The 'Sammlung unterschiedlicher bewährter Chymischer Schriften' (Collection of various proven Chymical writings) is an important German-language anthology of alchemical treatises, which is mainly attributed to the Flemish alchemist **Johann Isaac Hollandus** (and his presumed father Isaac Hollandus).<br />
<br />
First published in Frankfurt am Main in 1667 (with later editions in Vienna in 1746 and 1773, among others), the work summarizes practical laboratory instructions, symbolic representations and alchemical philosophy of the early modern period.<br />
<br />
Major works & treatises included<br />
<br />
1. **From the hand of the philosophers** (*Manus philosophorum cum signaturis*)<br />
A symbolic and practical guide with alchemical symbols and tool illustrations.<br />
2. **Opus Saturni**<br />
Focuses on lead (*Saturn*) and its transmutation as well as the production of alchemical preparations from it.<br />
3. **Opera Vegetabilia**<br />
Describes processes using plant substances and wine to produce the so-called *Lapis vegetabilis*.<br />
4. **Opus Minerale** (*Mineral-Werck*)<br />
Contains detailed instructions and engravings/woodcuts of smelting furnaces, distilling devices and recipes (including for the production of artificial gemstones).<br />
5. **Attachment of a Fragment from the Cabala**<br />
Combines hermetic-alchemical ideas with kabbalistic number and symbol theory.<br />
6. **Tractatus de Lapide Philosophico**<br />
A treatise on the nature and manufacture of the *Philosopher's Stone*.<br />
7. **Tractate on the wanderings of those alchymists** (*Auctoris incerti*, partly attributed to Michael Sendivogius)<br />
A critical look at common mistakes, frauds, and misinterpretations in the practice of alchemy.<br />
<br />
---<br />
<br />
### Meaning & Special Features<br />
<br />
* **Practical focus:** Compared to purely allegorical texts, the Hollandus writings offer unusually concrete chemical process descriptions (distillation, alloys, salts).<br />
* **Illustrations:** The editions are known for their copperplates and wood engravings that vividly depict stills, laboratory equipment, and the symbolic “Hand of the Philosophers.”<br />
* **Reception:** The writings had a great influence on hermeticism and early chemical technology in Central Europe in the 17th and 18th centuries.<br />
<br />
<br />
Original texts here:<br />
<br />
<a href="https://www.digitale-sammlungen.de/en/view/bsb11110353?page=,1" target="_blank" rel="noopener" class="mycode_url">https://www.digitale-sammlungen.de/en/vi...53?page=,1</a>]]></description>
			<content:encoded><![CDATA[The 'Sammlung unterschiedlicher bewährter Chymischer Schriften' (Collection of various proven Chymical writings) is an important German-language anthology of alchemical treatises, which is mainly attributed to the Flemish alchemist **Johann Isaac Hollandus** (and his presumed father Isaac Hollandus).<br />
<br />
First published in Frankfurt am Main in 1667 (with later editions in Vienna in 1746 and 1773, among others), the work summarizes practical laboratory instructions, symbolic representations and alchemical philosophy of the early modern period.<br />
<br />
Major works & treatises included<br />
<br />
1. **From the hand of the philosophers** (*Manus philosophorum cum signaturis*)<br />
A symbolic and practical guide with alchemical symbols and tool illustrations.<br />
2. **Opus Saturni**<br />
Focuses on lead (*Saturn*) and its transmutation as well as the production of alchemical preparations from it.<br />
3. **Opera Vegetabilia**<br />
Describes processes using plant substances and wine to produce the so-called *Lapis vegetabilis*.<br />
4. **Opus Minerale** (*Mineral-Werck*)<br />
Contains detailed instructions and engravings/woodcuts of smelting furnaces, distilling devices and recipes (including for the production of artificial gemstones).<br />
5. **Attachment of a Fragment from the Cabala**<br />
Combines hermetic-alchemical ideas with kabbalistic number and symbol theory.<br />
6. **Tractatus de Lapide Philosophico**<br />
A treatise on the nature and manufacture of the *Philosopher's Stone*.<br />
7. **Tractate on the wanderings of those alchymists** (*Auctoris incerti*, partly attributed to Michael Sendivogius)<br />
A critical look at common mistakes, frauds, and misinterpretations in the practice of alchemy.<br />
<br />
---<br />
<br />
### Meaning & Special Features<br />
<br />
* **Practical focus:** Compared to purely allegorical texts, the Hollandus writings offer unusually concrete chemical process descriptions (distillation, alloys, salts).<br />
* **Illustrations:** The editions are known for their copperplates and wood engravings that vividly depict stills, laboratory equipment, and the symbolic “Hand of the Philosophers.”<br />
* **Reception:** The writings had a great influence on hermeticism and early chemical technology in Central Europe in the 17th and 18th centuries.<br />
<br />
<br />
Original texts here:<br />
<br />
<a href="https://www.digitale-sammlungen.de/en/view/bsb11110353?page=,1" target="_blank" rel="noopener" class="mycode_url">https://www.digitale-sammlungen.de/en/vi...53?page=,1</a>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[The Veronese Riddle, an Alchemical Interpretation]]></title>
			<link>https://www.alchemywebsite.com/forums/showthread.php?tid=3476</link>
			<pubDate>Mon, 10 Aug 2026 11:29:37 +0100</pubDate>
			<dc:creator><![CDATA[<a href="https://www.alchemywebsite.com/forums/member.php?action=profile&uid=2">Paul Ferguson</a>]]></dc:creator>
			<guid isPermaLink="false">https://www.alchemywebsite.com/forums/showthread.php?tid=3476</guid>
			<description><![CDATA["The brain-teasing Veronese riddle might instead make sense to alchemists. Especially if associated with the inexplicably neglected drawing on the verso. In fact, it would have sufficed a normal scientific attitude, that’s to say turning the page, to see a sketch very similar to the long tongues three-headed face of Turba Philosophorum. The two illustrations are much alike, but the Veronese parchment is much more sophisticated than Turba Philosophorum’s. As for the riddle, it was a common medieval conundrum: ” In front of him led oxen, White fields plowed, A white plow held, A black seed sowed”. Even Umberto Eco reported it in his novel “Baudolino”, but in a close to Latin form."<br />
<br />
<a href="https://labyrinthdesigners.org/alchemy-literature/the-veronese-riddle-an-alchemical-interpretation/" target="_blank" rel="noopener" class="mycode_url">https://labyrinthdesigners.org/alchemy-l...pretation/</a>]]></description>
			<content:encoded><![CDATA["The brain-teasing Veronese riddle might instead make sense to alchemists. Especially if associated with the inexplicably neglected drawing on the verso. In fact, it would have sufficed a normal scientific attitude, that’s to say turning the page, to see a sketch very similar to the long tongues three-headed face of Turba Philosophorum. The two illustrations are much alike, but the Veronese parchment is much more sophisticated than Turba Philosophorum’s. As for the riddle, it was a common medieval conundrum: ” In front of him led oxen, White fields plowed, A white plow held, A black seed sowed”. Even Umberto Eco reported it in his novel “Baudolino”, but in a close to Latin form."<br />
<br />
<a href="https://labyrinthdesigners.org/alchemy-literature/the-veronese-riddle-an-alchemical-interpretation/" target="_blank" rel="noopener" class="mycode_url">https://labyrinthdesigners.org/alchemy-l...pretation/</a>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[Collectanea Chymica]]></title>
			<link>https://www.alchemywebsite.com/forums/showthread.php?tid=3460</link>
			<pubDate>Sat, 08 Aug 2026 10:34:04 +0100</pubDate>
			<dc:creator><![CDATA[<a href="https://www.alchemywebsite.com/forums/member.php?action=profile&uid=2">Paul Ferguson</a>]]></dc:creator>
			<guid isPermaLink="false">https://www.alchemywebsite.com/forums/showthread.php?tid=3460</guid>
			<description><![CDATA["The Extremely rare alchemical super manual called, Collectanea Chymica gathers ten separately composed treatises into a deliberate treasury of seventeenth-century chymical knowledge. Its subject is considerably wider than the Philosophers’ Stone alone. The collection examines universal dissolution, metallic generation, philosophical mercury, potable gold, sulphur medicines, experimental error, furnace regulation, material purification, famine relief, food preparation, preservation, and the moral obligations attached to powerful knowledge."<br />
<br />
<a href="https://www.academia.edu/171197476/Collectanea_Chymica_A_Collection_of_Ten_Several_Treatises_in_Chymistry_Concerning_the_Liquor_Alkahest_the_Mercury_of_Philosophers_By_Eirenaeus_Philalethes_Anonymous_Jan_Baptist_van_Helmont_Francis_Anthony_M_A_M_D_Bernard_Earl_of_Trevisan_Sir_George_Ripley_and_many_others_" target="_blank" rel="noopener" class="mycode_url">https://www.academia.edu/171197476/Colle...ny_others_</a>]]></description>
			<content:encoded><![CDATA["The Extremely rare alchemical super manual called, Collectanea Chymica gathers ten separately composed treatises into a deliberate treasury of seventeenth-century chymical knowledge. Its subject is considerably wider than the Philosophers’ Stone alone. The collection examines universal dissolution, metallic generation, philosophical mercury, potable gold, sulphur medicines, experimental error, furnace regulation, material purification, famine relief, food preparation, preservation, and the moral obligations attached to powerful knowledge."<br />
<br />
<a href="https://www.academia.edu/171197476/Collectanea_Chymica_A_Collection_of_Ten_Several_Treatises_in_Chymistry_Concerning_the_Liquor_Alkahest_the_Mercury_of_Philosophers_By_Eirenaeus_Philalethes_Anonymous_Jan_Baptist_van_Helmont_Francis_Anthony_M_A_M_D_Bernard_Earl_of_Trevisan_Sir_George_Ripley_and_many_others_" target="_blank" rel="noopener" class="mycode_url">https://www.academia.edu/171197476/Colle...ny_others_</a>]]></content:encoded>
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			<title><![CDATA[Google Arts & Culture: The Ripley Scroll]]></title>
			<link>https://www.alchemywebsite.com/forums/showthread.php?tid=3447</link>
			<pubDate>Tue, 04 Aug 2026 15:38:58 +0100</pubDate>
			<dc:creator><![CDATA[<a href="https://www.alchemywebsite.com/forums/member.php?action=profile&uid=2">Paul Ferguson</a>]]></dc:creator>
			<guid isPermaLink="false">https://www.alchemywebsite.com/forums/showthread.php?tid=3447</guid>
			<description><![CDATA["he Ripley Scroll is an extraordinary manuscript, nearly 6 metres long, that describes how to make the fabled Philosopher's Stone. It is named after George Ripley, a medieval canon of Bridlington Priory, Yorkshire, who reputedly wrote a text known as The Compound of Alchymy. The scroll is full of mystical symbolism. The precise meanings of the alchemical icons are not completely understood and it is clear that some of its imagery is deliberately obscure. Only those who have dedicated their lives to Alchemy have any hope of deciphering its secrets."<br />
<br />
<a href="https://artsandculture.google.com/story/exploring-the-ripley-scroll-the-british-library/OwXBNEuJqIJzLg?hl=en" target="_blank" rel="noopener" class="mycode_url">https://artsandculture.google.com/story/...JzLg?hl=en</a>]]></description>
			<content:encoded><![CDATA["he Ripley Scroll is an extraordinary manuscript, nearly 6 metres long, that describes how to make the fabled Philosopher's Stone. It is named after George Ripley, a medieval canon of Bridlington Priory, Yorkshire, who reputedly wrote a text known as The Compound of Alchymy. The scroll is full of mystical symbolism. The precise meanings of the alchemical icons are not completely understood and it is clear that some of its imagery is deliberately obscure. Only those who have dedicated their lives to Alchemy have any hope of deciphering its secrets."<br />
<br />
<a href="https://artsandculture.google.com/story/exploring-the-ripley-scroll-the-british-library/OwXBNEuJqIJzLg?hl=en" target="_blank" rel="noopener" class="mycode_url">https://artsandculture.google.com/story/...JzLg?hl=en</a>]]></content:encoded>
		</item>
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			<title><![CDATA[From WB Yeats: The Trembling of the Veil]]></title>
			<link>https://www.alchemywebsite.com/forums/showthread.php?tid=3436</link>
			<pubDate>Fri, 31 Jul 2026 12:39:30 +0100</pubDate>
			<dc:creator><![CDATA[<a href="https://www.alchemywebsite.com/forums/member.php?action=profile&uid=2">Paul Ferguson</a>]]></dc:creator>
			<guid isPermaLink="false">https://www.alchemywebsite.com/forums/showthread.php?tid=3436</guid>
			<description><![CDATA[“Has your alchemical research had any success?” I said. “Yes, I once made the elixir of life. A French alchemist said it had the right smell and the right colour” (the alchemist may have been Eliphas Levi, who visited England in the ’sixties, and would have said anything) “but the first effect of the elixir is that your nails fall out and your hair falls off. I was afraid that I might have made a mistake and that nothing else might happen, so I put it away on a shelf. I meant to drink it when I was an old man, but when I got it down the other day it had all dried up.”<br />
<br />
<a href="https://www.livelib.ru/book/14501773/read-the-trembling-of-the-veil-william-butler-yeats/~18" target="_blank" rel="noopener" class="mycode_url">https://www.livelib.ru/book/14501773/rea...-yeats/~18</a><br />
<br />
<a href="https://archive.org/details/tremblingofveil00yeatrich/page/70/mode/2up?q=%22dried+up%22" target="_blank" rel="noopener" class="mycode_url">https://archive.org/details/tremblingofv...ried+up%22</a>]]></description>
			<content:encoded><![CDATA[“Has your alchemical research had any success?” I said. “Yes, I once made the elixir of life. A French alchemist said it had the right smell and the right colour” (the alchemist may have been Eliphas Levi, who visited England in the ’sixties, and would have said anything) “but the first effect of the elixir is that your nails fall out and your hair falls off. I was afraid that I might have made a mistake and that nothing else might happen, so I put it away on a shelf. I meant to drink it when I was an old man, but when I got it down the other day it had all dried up.”<br />
<br />
<a href="https://www.livelib.ru/book/14501773/read-the-trembling-of-the-veil-william-butler-yeats/~18" target="_blank" rel="noopener" class="mycode_url">https://www.livelib.ru/book/14501773/rea...-yeats/~18</a><br />
<br />
<a href="https://archive.org/details/tremblingofveil00yeatrich/page/70/mode/2up?q=%22dried+up%22" target="_blank" rel="noopener" class="mycode_url">https://archive.org/details/tremblingofv...ried+up%22</a>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[A manual of exorcism by Zaccaria Visconti]]></title>
			<link>https://www.alchemywebsite.com/forums/showthread.php?tid=3435</link>
			<pubDate>Fri, 31 Jul 2026 12:26:19 +0100</pubDate>
			<dc:creator><![CDATA[<a href="https://www.alchemywebsite.com/forums/member.php?action=profile&uid=2">Paul Ferguson</a>]]></dc:creator>
			<guid isPermaLink="false">https://www.alchemywebsite.com/forums/showthread.php?tid=3435</guid>
			<description><![CDATA["The book is a masterpiece of exorcistic literature, providing priests with practical tools to identify and combat demonic presences. In addition to containing numerous exorcistic formulas, including the famous anathema "Vade Retro Satana" (Step Back, Satan), it offers alchemical remedies to cure ailments attributed to possession and describes in disturbing detail infernal metamorphoses, such as lycanthropy. It also includes an analysis of the heretical groups of the time and a meticulous cataloging of the Devil's titles: Satan, Beelzebub, Lucifer, Asmodaeus… and his various manifestations."<br />
<br />
Zaccaria Visconti (c.1570-1630) was an exorcist and member of the Barnabite Order & Saint'Ambrogio of Milan, who taught the art of exorcism at the University of Pavia, he was one of the five priests of Milan authorized to practice exorcisms.<br />
<br />
<a href="https://www.catawiki.com/en/l/105603000-zaccaria-visconti-art-of-exorcism-manual-of-witchcraft-magic-demonology-1619" target="_blank" rel="noopener" class="mycode_url">https://www.catawiki.com/en/l/105603000-...ology-1619</a>]]></description>
			<content:encoded><![CDATA["The book is a masterpiece of exorcistic literature, providing priests with practical tools to identify and combat demonic presences. In addition to containing numerous exorcistic formulas, including the famous anathema "Vade Retro Satana" (Step Back, Satan), it offers alchemical remedies to cure ailments attributed to possession and describes in disturbing detail infernal metamorphoses, such as lycanthropy. It also includes an analysis of the heretical groups of the time and a meticulous cataloging of the Devil's titles: Satan, Beelzebub, Lucifer, Asmodaeus… and his various manifestations."<br />
<br />
Zaccaria Visconti (c.1570-1630) was an exorcist and member of the Barnabite Order & Saint'Ambrogio of Milan, who taught the art of exorcism at the University of Pavia, he was one of the five priests of Milan authorized to practice exorcisms.<br />
<br />
<a href="https://www.catawiki.com/en/l/105603000-zaccaria-visconti-art-of-exorcism-manual-of-witchcraft-magic-demonology-1619" target="_blank" rel="noopener" class="mycode_url">https://www.catawiki.com/en/l/105603000-...ology-1619</a>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[Ruland’s Lexicon Alchemiae: A Study of Arabic Terms]]></title>
			<link>https://www.alchemywebsite.com/forums/showthread.php?tid=3425</link>
			<pubDate>Fri, 31 Jul 2026 11:33:12 +0100</pubDate>
			<dc:creator><![CDATA[<a href="https://www.alchemywebsite.com/forums/member.php?action=profile&uid=2">Paul Ferguson</a>]]></dc:creator>
			<guid isPermaLink="false">https://www.alchemywebsite.com/forums/showthread.php?tid=3425</guid>
			<description><![CDATA[Mediating Alchemical Language across Terminologies and Cultures in Ruland’s Lexicon Alchemiae: A Data-driven Study of Arabic Terms<br />
<br />
Sarah Lang, Farzad Mahootian & Hazem Lashen<br />
<br />
Full text!!!<br />
<br />
<a href="https://www.tandfonline.com/doi/full/10.1080/00026980.2026.2697142#d1e190" target="_blank" rel="noopener" class="mycode_url">https://www.tandfonline.com/doi/full/10....142#d1e190</a>]]></description>
			<content:encoded><![CDATA[Mediating Alchemical Language across Terminologies and Cultures in Ruland’s Lexicon Alchemiae: A Data-driven Study of Arabic Terms<br />
<br />
Sarah Lang, Farzad Mahootian & Hazem Lashen<br />
<br />
Full text!!!<br />
<br />
<a href="https://www.tandfonline.com/doi/full/10.1080/00026980.2026.2697142#d1e190" target="_blank" rel="noopener" class="mycode_url">https://www.tandfonline.com/doi/full/10....142#d1e190</a>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[Online library of AI-translated esoteric texts]]></title>
			<link>https://www.alchemywebsite.com/forums/showthread.php?tid=3422</link>
			<pubDate>Fri, 31 Jul 2026 10:53:10 +0100</pubDate>
			<dc:creator><![CDATA[<a href="https://www.alchemywebsite.com/forums/member.php?action=profile&uid=2">Paul Ferguson</a>]]></dc:creator>
			<guid isPermaLink="false">https://www.alchemywebsite.com/forums/showthread.php?tid=3422</guid>
			<description><![CDATA[19,420 books, 17,450 translations (5,839 for the first time), 14,714 artworks, 207,280 illustrations<br />
<br />
Registration required but free to use. <br />
<br />
Now online at:<br />
<br />
<a href="https://sourcelibrary.org/" target="_blank" rel="noopener" class="mycode_url">https://sourcelibrary.org/</a>]]></description>
			<content:encoded><![CDATA[19,420 books, 17,450 translations (5,839 for the first time), 14,714 artworks, 207,280 illustrations<br />
<br />
Registration required but free to use. <br />
<br />
Now online at:<br />
<br />
<a href="https://sourcelibrary.org/" target="_blank" rel="noopener" class="mycode_url">https://sourcelibrary.org/</a>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[William Salmon's Medicina Practica]]></title>
			<link>https://www.alchemywebsite.com/forums/showthread.php?tid=3400</link>
			<pubDate>Thu, 23 Jul 2026 14:38:12 +0100</pubDate>
			<dc:creator><![CDATA[<a href="https://www.alchemywebsite.com/forums/member.php?action=profile&uid=2">Paul Ferguson</a>]]></dc:creator>
			<guid isPermaLink="false">https://www.alchemywebsite.com/forums/showthread.php?tid=3400</guid>
			<description><![CDATA["William Salmon (2 June 1644–1713) was an English empiric doctor and a writer of medical texts. He advertised himself as a "Professor of Physick". Salmon held an equivocal place in the medical community... His Medicina Practica, with the Claris Alcymiae (3 vols. London, 1692), a vademecum combining medicine with alchemy, reveals its scope in its subtitle: Practical Physick. Shewing the Method of Curing the most Usual Diseases Happening to Humane bodies. As all Sorts of Aches and Pains, Apoplexies, Agues, Bleeding, Fluxes, Gripings, Wind, Shortness of breath, Diseases of the Breast and Lungs, Abortion, Want of Appetite, Loss of the use of Limbs, Cholick, or Belly-ache, Appositions, Thrushes, Quinsies, Deafness, Bubo's, Cachexis, Stone in the Reins, and Stone in the Bladder... To which is added, The philosophick Works of Hermes Trismegistus, Kalid Persicus, Geber Arabs, Artesius Longævus, Nicholas Flammel, Roger Bacon, and George Ripley. All Translated out of The best Latin Editions, into English." [Wikipedia]<br />
<br />
<a href="https://sourcelibrary.org/book/medicina-practica-or-practical-physick-shewing-the-method-salmon" target="_blank" rel="noopener" class="mycode_url">https://sourcelibrary.org/book/medicina-...hod-salmon</a>]]></description>
			<content:encoded><![CDATA["William Salmon (2 June 1644–1713) was an English empiric doctor and a writer of medical texts. He advertised himself as a "Professor of Physick". Salmon held an equivocal place in the medical community... His Medicina Practica, with the Claris Alcymiae (3 vols. London, 1692), a vademecum combining medicine with alchemy, reveals its scope in its subtitle: Practical Physick. Shewing the Method of Curing the most Usual Diseases Happening to Humane bodies. As all Sorts of Aches and Pains, Apoplexies, Agues, Bleeding, Fluxes, Gripings, Wind, Shortness of breath, Diseases of the Breast and Lungs, Abortion, Want of Appetite, Loss of the use of Limbs, Cholick, or Belly-ache, Appositions, Thrushes, Quinsies, Deafness, Bubo's, Cachexis, Stone in the Reins, and Stone in the Bladder... To which is added, The philosophick Works of Hermes Trismegistus, Kalid Persicus, Geber Arabs, Artesius Longævus, Nicholas Flammel, Roger Bacon, and George Ripley. All Translated out of The best Latin Editions, into English." [Wikipedia]<br />
<br />
<a href="https://sourcelibrary.org/book/medicina-practica-or-practical-physick-shewing-the-method-salmon" target="_blank" rel="noopener" class="mycode_url">https://sourcelibrary.org/book/medicina-...hod-salmon</a>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[The Emerald Tablet: LBV article]]></title>
			<link>https://www.alchemywebsite.com/forums/showthread.php?tid=3399</link>
			<pubDate>Wed, 22 Jul 2026 14:48:57 +0100</pubDate>
			<dc:creator><![CDATA[<a href="https://www.alchemywebsite.com/forums/member.php?action=profile&uid=2">Paul Ferguson</a>]]></dc:creator>
			<guid isPermaLink="false">https://www.alchemywebsite.com/forums/showthread.php?tid=3399</guid>
			<description><![CDATA["Psychiatrist Carl Jung and historian George R. S. Mead studied the Emerald Tablet between the last quarter of the 19th century and the first of the 20th. Surrealist poet André Breton included the paraphrase “What is below is like what is above, and what is above is like what is below”, from the second verse of that work, in an essay published in 1942. Thirty-two years later, Brazilian singer-songwriter Jorge Ben Jor published a book entitled A Tábua de Esmeralda with twelve songs of alchemical and theosophical themes. In 1977, after two years of work, French composer Manfred Kelkel completed Tabula Smaragdina, a ballet in which he merged the score with visual projections of esoteric motifs that turned his piece into what he defined as “metamusic”. What was that Emerald Tablet that seemed to fascinate artists and intellectuals?"<br />
<br />
<a href="https://www.labrujulaverde.com/en/2026/07/emerald-tablet-the-enigmatic-text-that-revealed-the-secret-of-the-philosophers-stone/" target="_blank" rel="noopener" class="mycode_url">https://www.labrujulaverde.com/en/2026/0...ers-stone/</a>]]></description>
			<content:encoded><![CDATA["Psychiatrist Carl Jung and historian George R. S. Mead studied the Emerald Tablet between the last quarter of the 19th century and the first of the 20th. Surrealist poet André Breton included the paraphrase “What is below is like what is above, and what is above is like what is below”, from the second verse of that work, in an essay published in 1942. Thirty-two years later, Brazilian singer-songwriter Jorge Ben Jor published a book entitled A Tábua de Esmeralda with twelve songs of alchemical and theosophical themes. In 1977, after two years of work, French composer Manfred Kelkel completed Tabula Smaragdina, a ballet in which he merged the score with visual projections of esoteric motifs that turned his piece into what he defined as “metamusic”. What was that Emerald Tablet that seemed to fascinate artists and intellectuals?"<br />
<br />
<a href="https://www.labrujulaverde.com/en/2026/07/emerald-tablet-the-enigmatic-text-that-revealed-the-secret-of-the-philosophers-stone/" target="_blank" rel="noopener" class="mycode_url">https://www.labrujulaverde.com/en/2026/0...ers-stone/</a>]]></content:encoded>
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