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		<title><![CDATA[Alchemy Discussion Forum - All Forums]]></title>
		<link>https://www.alchemywebsite.com/forums/</link>
		<description><![CDATA[Alchemy Discussion Forum - https://www.alchemywebsite.com/forums]]></description>
		<pubDate>Sat, 26 Sep 2026 06:49:26 +0000</pubDate>
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			<title><![CDATA[Musaeum Hermeticum Reformatum et Amplificatum]]></title>
			<link>https://www.alchemywebsite.com/forums/showthread.php?tid=3636</link>
			<pubDate>Fri, 25 Sep 2026 09:37:06 +0100</pubDate>
			<dc:creator><![CDATA[<a href="https://www.alchemywebsite.com/forums/member.php?action=profile&uid=2">Paul Ferguson</a>]]></dc:creator>
			<guid isPermaLink="false">https://www.alchemywebsite.com/forums/showthread.php?tid=3636</guid>
			<description><![CDATA[Musaeum Hermeticum ("Hermetic library") is a compendium of alchemical texts first published in German, in Frankfurt, 1625 by Lucas Jennis. Additional material was added for the 1678 Latin edition, which in turn was reprinted in 1749. Its purpose was apparently to supply in a compact form a representative collection of relatively brief and less ancient alchemical writings; it could be regarded as a supplement to those large storehouses of Hermetic learning such as the Theatrum Chemicum, or Jean-Jacques Manget's Bibliotheca Chemica Curiosa. It seemed to represent a distinctive school in Alchemy, less committed to the past and less obscure than the works of older and more traditional alchemical masters.<br />
<br />
Reel from the Ritman Library showing the 1749 edition:<br />
<br />
<a href="https://www.facebook.com/reel/1126146517032832" target="_blank" rel="noopener" class="mycode_url">https://www.facebook.com/reel/1126146517032832</a><br />
<br />
1678 edition downloadable here:<br />
<br />
<a href="https://archive.org/details/musaeumhermeticu00meri/page/n7/mode/2up" target="_blank" rel="noopener" class="mycode_url">https://archive.org/details/musaeumherme...7/mode/2up</a><br />
<br />
and here:<br />
<br />
<a href="https://digital.sciencehistory.org/works/5t34sk63f" target="_blank" rel="noopener" class="mycode_url">https://digital.sciencehistory.org/works/5t34sk63f</a>]]></description>
			<content:encoded><![CDATA[Musaeum Hermeticum ("Hermetic library") is a compendium of alchemical texts first published in German, in Frankfurt, 1625 by Lucas Jennis. Additional material was added for the 1678 Latin edition, which in turn was reprinted in 1749. Its purpose was apparently to supply in a compact form a representative collection of relatively brief and less ancient alchemical writings; it could be regarded as a supplement to those large storehouses of Hermetic learning such as the Theatrum Chemicum, or Jean-Jacques Manget's Bibliotheca Chemica Curiosa. It seemed to represent a distinctive school in Alchemy, less committed to the past and less obscure than the works of older and more traditional alchemical masters.<br />
<br />
Reel from the Ritman Library showing the 1749 edition:<br />
<br />
<a href="https://www.facebook.com/reel/1126146517032832" target="_blank" rel="noopener" class="mycode_url">https://www.facebook.com/reel/1126146517032832</a><br />
<br />
1678 edition downloadable here:<br />
<br />
<a href="https://archive.org/details/musaeumhermeticu00meri/page/n7/mode/2up" target="_blank" rel="noopener" class="mycode_url">https://archive.org/details/musaeumherme...7/mode/2up</a><br />
<br />
and here:<br />
<br />
<a href="https://digital.sciencehistory.org/works/5t34sk63f" target="_blank" rel="noopener" class="mycode_url">https://digital.sciencehistory.org/works/5t34sk63f</a>]]></content:encoded>
		</item>
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			<title><![CDATA[Reginenses Latini 1200]]></title>
			<link>https://www.alchemywebsite.com/forums/showthread.php?tid=3635</link>
			<pubDate>Thu, 24 Sep 2026 10:32:19 +0100</pubDate>
			<dc:creator><![CDATA[<a href="https://www.alchemywebsite.com/forums/member.php?action=profile&uid=2">Paul Ferguson</a>]]></dc:creator>
			<guid isPermaLink="false">https://www.alchemywebsite.com/forums/showthread.php?tid=3635</guid>
			<description><![CDATA[MS Reg.lat.1200 (Reginenses Latini 1200) in the Biblioteca Apostolica Vaticana is an alchemical and philosophical manuscript containing a text concerning the philosopher's stone (De lapide philosophorum). It belongs to the Reginenses Latini (Reg. lat.) collection, which originates primarily from the personal library of Queen Christina of Sweden (1626–1689). After her death in Rome, her collection passed through the hands of Cardinal Pietro Ottoboni (future Pope Alexander VIII) before being acquired by the Vatican Library in the mid-18th century. A comprehensive standalone translation of the text does not appear to be available.<br />
<br />
See the MS here:<br />
<br />
<a href="https://tinyurl.com/y8npjev5" target="_blank" rel="noopener" class="mycode_url">https://tinyurl.com/y8npjev5</a><br />
<br />
The text begins with the words Opus Mulierum et Ludus Puerorum ("Women's work and children's play") often assigned to alchemical work.<br />
<br />
Queen Christina of Sweden collected alchemical manuscripts through a mixture of massive military spoils and targeted agent purchases, driven by a lifelong obsession with universal knowledge and practical laboratory experimentation. Her pursuit of alchemical knowledge was not an unusual quirk for a 17th-century monarch, but rather a central pillar of her broader philosophical quest. <br />
<br />
Queen Christina built her world-class library through two primary methods:<br />
<br />
1) The Looting of Prague (1648): At the end of the Thirty Years' War, Swedish troops sacked Prague Castle. They seized the legendary esoteric library of Emperor Rudolf II, Europe's premier patron of the occult, hermeticism, and alchemy. Christina personally ordered these manuscripts to be sent straight to Stockholm. Interestingly, because she found the Czech and German scripts of Rudolf's operational alchemical notebooks difficult to read, she later gifted a massive batch of them to her librarian Isaac Vossius. These survive today as the Codices Vossiani Chymici at Leiden University:<br />
<br />
<a href="https://tinyurl.com/4rjaujt2" target="_blank" rel="noopener" class="mycode_url">https://tinyurl.com/4rjaujt2</a><br />
<br />
2) A Network of European Book Hunters: Christina used her immense wealth to employ agents, like Vossius and the French physician Jean Bourdelot, to scour Europe for rare materials. They purchased vast private libraries, such as the renowned French collection of Alexandre Petau, which was loaded with medieval texts on natural philosophy and the transmutation of metals.]]></description>
			<content:encoded><![CDATA[MS Reg.lat.1200 (Reginenses Latini 1200) in the Biblioteca Apostolica Vaticana is an alchemical and philosophical manuscript containing a text concerning the philosopher's stone (De lapide philosophorum). It belongs to the Reginenses Latini (Reg. lat.) collection, which originates primarily from the personal library of Queen Christina of Sweden (1626–1689). After her death in Rome, her collection passed through the hands of Cardinal Pietro Ottoboni (future Pope Alexander VIII) before being acquired by the Vatican Library in the mid-18th century. A comprehensive standalone translation of the text does not appear to be available.<br />
<br />
See the MS here:<br />
<br />
<a href="https://tinyurl.com/y8npjev5" target="_blank" rel="noopener" class="mycode_url">https://tinyurl.com/y8npjev5</a><br />
<br />
The text begins with the words Opus Mulierum et Ludus Puerorum ("Women's work and children's play") often assigned to alchemical work.<br />
<br />
Queen Christina of Sweden collected alchemical manuscripts through a mixture of massive military spoils and targeted agent purchases, driven by a lifelong obsession with universal knowledge and practical laboratory experimentation. Her pursuit of alchemical knowledge was not an unusual quirk for a 17th-century monarch, but rather a central pillar of her broader philosophical quest. <br />
<br />
Queen Christina built her world-class library through two primary methods:<br />
<br />
1) The Looting of Prague (1648): At the end of the Thirty Years' War, Swedish troops sacked Prague Castle. They seized the legendary esoteric library of Emperor Rudolf II, Europe's premier patron of the occult, hermeticism, and alchemy. Christina personally ordered these manuscripts to be sent straight to Stockholm. Interestingly, because she found the Czech and German scripts of Rudolf's operational alchemical notebooks difficult to read, she later gifted a massive batch of them to her librarian Isaac Vossius. These survive today as the Codices Vossiani Chymici at Leiden University:<br />
<br />
<a href="https://tinyurl.com/4rjaujt2" target="_blank" rel="noopener" class="mycode_url">https://tinyurl.com/4rjaujt2</a><br />
<br />
2) A Network of European Book Hunters: Christina used her immense wealth to employ agents, like Vossius and the French physician Jean Bourdelot, to scour Europe for rare materials. They purchased vast private libraries, such as the renowned French collection of Alexandre Petau, which was loaded with medieval texts on natural philosophy and the transmutation of metals.]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[Austin Osman Spare by Phil Baker]]></title>
			<link>https://www.alchemywebsite.com/forums/showthread.php?tid=3634</link>
			<pubDate>Thu, 24 Sep 2026 10:05:20 +0100</pubDate>
			<dc:creator><![CDATA[<a href="https://www.alchemywebsite.com/forums/member.php?action=profile&uid=2">Paul Ferguson</a>]]></dc:creator>
			<guid isPermaLink="false">https://www.alchemywebsite.com/forums/showthread.php?tid=3634</guid>
			<description><![CDATA["Austin Osman Spare is the definitive biography of the controversial occultist and artist, an enfant terrible of the Edwardian art world whose work was both hailed as genius and decried as immoral decadence. As George Bernard Shaw reportedly said, "Spare's medicine is too strong for the average man." Trained as a draughtsman, Spare enjoyed early acclaim when, at the age of seventeen, his work was shown at the Royal Academy in London. But his star soon declined; Spare went underground, falling out of the gallery system to live in poverty and obscurity. After a brief association with Aleister Crowley, he became absorbed in occultism and sorcery, voyaging into inner dimensions, while developing his own magical philosophy of pleasure, obsession, and the subjective nature of reality. All the while, Spare continued to produce extraordinary art, and held his exhibitions outside of the conventional art world, in London pubs."<br />
<br />
<a href="https://www.amazon.co.uk/Austin-Osman-Spare-Londons-Legendary/dp/1583947167" target="_blank" rel="noopener" class="mycode_url">https://www.amazon.co.uk/Austin-Osman-Sp...1583947167</a>]]></description>
			<content:encoded><![CDATA["Austin Osman Spare is the definitive biography of the controversial occultist and artist, an enfant terrible of the Edwardian art world whose work was both hailed as genius and decried as immoral decadence. As George Bernard Shaw reportedly said, "Spare's medicine is too strong for the average man." Trained as a draughtsman, Spare enjoyed early acclaim when, at the age of seventeen, his work was shown at the Royal Academy in London. But his star soon declined; Spare went underground, falling out of the gallery system to live in poverty and obscurity. After a brief association with Aleister Crowley, he became absorbed in occultism and sorcery, voyaging into inner dimensions, while developing his own magical philosophy of pleasure, obsession, and the subjective nature of reality. All the while, Spare continued to produce extraordinary art, and held his exhibitions outside of the conventional art world, in London pubs."<br />
<br />
<a href="https://www.amazon.co.uk/Austin-Osman-Spare-Londons-Legendary/dp/1583947167" target="_blank" rel="noopener" class="mycode_url">https://www.amazon.co.uk/Austin-Osman-Sp...1583947167</a>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[Zoom Course: The Quest for the Grail]]></title>
			<link>https://www.alchemywebsite.com/forums/showthread.php?tid=3633</link>
			<pubDate>Thu, 24 Sep 2026 09:53:58 +0100</pubDate>
			<dc:creator><![CDATA[<a href="https://www.alchemywebsite.com/forums/member.php?action=profile&uid=2">Paul Ferguson</a>]]></dc:creator>
			<guid isPermaLink="false">https://www.alchemywebsite.com/forums/showthread.php?tid=3633</guid>
			<description><![CDATA[The Quest for the Grail: A Thousand Years of Vessels and Visions with Cultural Historian Jason Lahman, Begins November 1<br />
<br />
"In this five-week course, we will trace the Grail through mythology, medieval literature, crusading culture, mysticism, alchemy, Romanticism, Jungian psychology, archaeology, conspiracy theory, fantasy literature, and film. Along the way we will encounter wounded kings, wandering knights, ruined chapels, other-worldly queens, Templars, alchemists, Wagnerian mystics, Symbolist artists, fascist occultists, and modern seekers pursuing transcendence through archetype. Rather than asking whether the Grail was objectively “real,” we will explore why it became one of the most enduring symbolic and visionary objects in European culture. The Grail continues to possess the imagination and act as a tool for puzzling out how the ineffable takes on form and calls out to human beings to be sought, found and held."<br />
<br />
<a href="https://tinyurl.com/2wkkembs" target="_blank" rel="noopener" class="mycode_url">https://tinyurl.com/2wkkembs</a>]]></description>
			<content:encoded><![CDATA[The Quest for the Grail: A Thousand Years of Vessels and Visions with Cultural Historian Jason Lahman, Begins November 1<br />
<br />
"In this five-week course, we will trace the Grail through mythology, medieval literature, crusading culture, mysticism, alchemy, Romanticism, Jungian psychology, archaeology, conspiracy theory, fantasy literature, and film. Along the way we will encounter wounded kings, wandering knights, ruined chapels, other-worldly queens, Templars, alchemists, Wagnerian mystics, Symbolist artists, fascist occultists, and modern seekers pursuing transcendence through archetype. Rather than asking whether the Grail was objectively “real,” we will explore why it became one of the most enduring symbolic and visionary objects in European culture. The Grail continues to possess the imagination and act as a tool for puzzling out how the ineffable takes on form and calls out to human beings to be sought, found and held."<br />
<br />
<a href="https://tinyurl.com/2wkkembs" target="_blank" rel="noopener" class="mycode_url">https://tinyurl.com/2wkkembs</a>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[Peacock Angel: The Esoteric Tradition of the Yezidis]]></title>
			<link>https://www.alchemywebsite.com/forums/showthread.php?tid=3632</link>
			<pubDate>Wed, 23 Sep 2026 13:40:34 +0100</pubDate>
			<dc:creator><![CDATA[<a href="https://www.alchemywebsite.com/forums/member.php?action=profile&uid=2">Paul Ferguson</a>]]></dc:creator>
			<guid isPermaLink="false">https://www.alchemywebsite.com/forums/showthread.php?tid=3632</guid>
			<description><![CDATA[By Peter Lamborn Wilson (Hakim Bey)<br />
<br />
An examination of the beliefs and history of the secretive Yezidi sect<br />
<br />
• Explains how the Yezidis worship Melek Ta’us, the Peacock Angel, an enigmatic figure often identified as “the devil” or Satan, yet who has been redeemed by God to rule a world of beauty and spiritual realization <br />
<br />
• Examines Yezidi antinomian doctrines of opposition, their cosmogony, their magical lore and taboos, the role of angels, ritual, and symbology, and how the Yezidi faith relates to other occult traditions such as alchemy <br />
<br />
• Presents the first English translation of the poetry of Caliph Yazid ibn Muawiya, venerated by the Yezidis as Sultan Ezi <br />
<br />
<br />
<a href="https://www.amazon.co.uk/Peacock-Angel-Esoteric-Tradition-Yezidis/dp/1644114127" target="_blank" rel="noopener" class="mycode_url">https://www.amazon.co.uk/Peacock-Angel-E...1644114127</a><br />
<br />
<br />
Read this book in Russian here:<br />
<br />
<a href="https://anlibrary.fun/books/xakim-bei-angel-pavlin-ezotericeskaia-tradiciia-ezidov" target="_blank" rel="noopener" class="mycode_url">https://anlibrary.fun/books/xakim-bei-an...iia-ezidov</a>]]></description>
			<content:encoded><![CDATA[By Peter Lamborn Wilson (Hakim Bey)<br />
<br />
An examination of the beliefs and history of the secretive Yezidi sect<br />
<br />
• Explains how the Yezidis worship Melek Ta’us, the Peacock Angel, an enigmatic figure often identified as “the devil” or Satan, yet who has been redeemed by God to rule a world of beauty and spiritual realization <br />
<br />
• Examines Yezidi antinomian doctrines of opposition, their cosmogony, their magical lore and taboos, the role of angels, ritual, and symbology, and how the Yezidi faith relates to other occult traditions such as alchemy <br />
<br />
• Presents the first English translation of the poetry of Caliph Yazid ibn Muawiya, venerated by the Yezidis as Sultan Ezi <br />
<br />
<br />
<a href="https://www.amazon.co.uk/Peacock-Angel-Esoteric-Tradition-Yezidis/dp/1644114127" target="_blank" rel="noopener" class="mycode_url">https://www.amazon.co.uk/Peacock-Angel-E...1644114127</a><br />
<br />
<br />
Read this book in Russian here:<br />
<br />
<a href="https://anlibrary.fun/books/xakim-bei-angel-pavlin-ezotericeskaia-tradiciia-ezidov" target="_blank" rel="noopener" class="mycode_url">https://anlibrary.fun/books/xakim-bei-an...iia-ezidov</a>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[Psychological Integration and the Religious Outlook (Sufi)]]></title>
			<link>https://www.alchemywebsite.com/forums/showthread.php?tid=3631</link>
			<pubDate>Wed, 23 Sep 2026 13:22:56 +0100</pubDate>
			<dc:creator><![CDATA[<a href="https://www.alchemywebsite.com/forums/member.php?action=profile&uid=2">Paul Ferguson</a>]]></dc:creator>
			<guid isPermaLink="false">https://www.alchemywebsite.com/forums/showthread.php?tid=3631</guid>
			<description><![CDATA["In the further stage of inner alchemical transmutation the nafs al–lawwamah becomes transformed into the nafs al-mutma’innah (the soul at peace), attaining a state in which it can gain knowledge with certainty and repose in peace because it has discovered its own center, which is the Self. Finally, according to certain Sufis, the nafs al-mutma’innah becomes transmuted into the nafs al-radiyah (the satisfied soul), which has attained such perfection that it has now become worthy of being the perfect bride of the Spirit."<br />
<br />
by Rama Poonambalam Coomaraswamy<br />
<br />
<a href="https://www.sacredweb.com/psychology/psychological-integration-and-the-religious-outlook/" target="_blank" rel="noopener" class="mycode_url">https://www.sacredweb.com/psychology/psy...s-outlook/</a>]]></description>
			<content:encoded><![CDATA["In the further stage of inner alchemical transmutation the nafs al–lawwamah becomes transformed into the nafs al-mutma’innah (the soul at peace), attaining a state in which it can gain knowledge with certainty and repose in peace because it has discovered its own center, which is the Self. Finally, according to certain Sufis, the nafs al-mutma’innah becomes transmuted into the nafs al-radiyah (the satisfied soul), which has attained such perfection that it has now become worthy of being the perfect bride of the Spirit."<br />
<br />
by Rama Poonambalam Coomaraswamy<br />
<br />
<a href="https://www.sacredweb.com/psychology/psychological-integration-and-the-religious-outlook/" target="_blank" rel="noopener" class="mycode_url">https://www.sacredweb.com/psychology/psy...s-outlook/</a>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[What Is an Ayahuasca Ceremony?]]></title>
			<link>https://www.alchemywebsite.com/forums/showthread.php?tid=3630</link>
			<pubDate>Wed, 23 Sep 2026 13:18:19 +0100</pubDate>
			<dc:creator><![CDATA[<a href="https://www.alchemywebsite.com/forums/member.php?action=profile&uid=2">Paul Ferguson</a>]]></dc:creator>
			<guid isPermaLink="false">https://www.alchemywebsite.com/forums/showthread.php?tid=3630</guid>
			<description><![CDATA["The Ayahuasca brew is not from a single plant. It’s a sophisticated alchemical recipe that combines two distinct Amazonian plants: the <span style="font-weight: bold;" class="mycode_b">Banisteriopsis caapi</span> vine and the leaves of the <span style="font-weight: bold;" class="mycode_b">Psychotria viridis</span> shrub. If you were to consume either one on its own, you wouldn’t feel much. But when they are brewed together for hours on end, a powerful synergy is unlocked."<br />
<br />
<a href="https://ayahuasca.com/resources/ceremonial-practices/what-is-an-ayahuasca-ceremony/" target="_blank" rel="noopener" class="mycode_url">https://ayahuasca.com/resources/ceremoni...-ceremony/</a>]]></description>
			<content:encoded><![CDATA["The Ayahuasca brew is not from a single plant. It’s a sophisticated alchemical recipe that combines two distinct Amazonian plants: the <span style="font-weight: bold;" class="mycode_b">Banisteriopsis caapi</span> vine and the leaves of the <span style="font-weight: bold;" class="mycode_b">Psychotria viridis</span> shrub. If you were to consume either one on its own, you wouldn’t feel much. But when they are brewed together for hours on end, a powerful synergy is unlocked."<br />
<br />
<a href="https://ayahuasca.com/resources/ceremonial-practices/what-is-an-ayahuasca-ceremony/" target="_blank" rel="noopener" class="mycode_url">https://ayahuasca.com/resources/ceremoni...-ceremony/</a>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[Reading order: Kybalion, Tablet of Hermes, Emerald Table]]></title>
			<link>https://www.alchemywebsite.com/forums/showthread.php?tid=3629</link>
			<pubDate>Wed, 23 Sep 2026 13:13:59 +0100</pubDate>
			<dc:creator><![CDATA[<a href="https://www.alchemywebsite.com/forums/member.php?action=profile&uid=2">Paul Ferguson</a>]]></dc:creator>
			<guid isPermaLink="false">https://www.alchemywebsite.com/forums/showthread.php?tid=3629</guid>
			<description><![CDATA["For a beginner seeking an explanatory framework, start with The Kybalion, then read the short Tablet of Hermes, and finish with the Emerald Tablets of Thoth. That is a practical study order, not a claim about historical sequence or spiritual rank. Readers mainly interested in textual history may prefer to start with the Tablet of Hermes and then examine the two modern works."<br />
<br />
<a href="https://www.fifthestatepub.com/post/kybalion-reading-order" target="_blank" rel="noopener" class="mycode_url">https://www.fifthestatepub.com/post/kyba...ding-order</a><br />
<br />
<br />
Breandan Lumpkin's collection brings these writings together in one volume:<br />
<br />
<a href="https://tinyurl.com/bddzmyhj" target="_blank" rel="noopener" class="mycode_url">https://tinyurl.com/bddzmyhj</a>]]></description>
			<content:encoded><![CDATA["For a beginner seeking an explanatory framework, start with The Kybalion, then read the short Tablet of Hermes, and finish with the Emerald Tablets of Thoth. That is a practical study order, not a claim about historical sequence or spiritual rank. Readers mainly interested in textual history may prefer to start with the Tablet of Hermes and then examine the two modern works."<br />
<br />
<a href="https://www.fifthestatepub.com/post/kybalion-reading-order" target="_blank" rel="noopener" class="mycode_url">https://www.fifthestatepub.com/post/kyba...ding-order</a><br />
<br />
<br />
Breandan Lumpkin's collection brings these writings together in one volume:<br />
<br />
<a href="https://tinyurl.com/bddzmyhj" target="_blank" rel="noopener" class="mycode_url">https://tinyurl.com/bddzmyhj</a>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[Free? book: Israel Regardie's The Middle Pillar]]></title>
			<link>https://www.alchemywebsite.com/forums/showthread.php?tid=3628</link>
			<pubDate>Wed, 23 Sep 2026 13:08:29 +0100</pubDate>
			<dc:creator><![CDATA[<a href="https://www.alchemywebsite.com/forums/member.php?action=profile&uid=2">Paul Ferguson</a>]]></dc:creator>
			<guid isPermaLink="false">https://www.alchemywebsite.com/forums/showthread.php?tid=3628</guid>
			<description><![CDATA["In the winter of 1936-37, Regardie was bedridden in London for two weeks with a bad case of bronchitis. During this time he wrote most of what would be published as The Philosopher's Stone, a book about alchemy from a Jungian perspective. At the time Regardie was convinced that laboratory alchemy was fallacious, and that only theoretical, spiritual, or psychological alchemy was valid. By 1970, however, interaction with practical alchemists such as Frater Albertus of the Paracelsus Research Society caused him to change his opinion on this. He began his own alchemical experiments in a small laboratory setting. Unfortunately, one of his experiments went awry and he seriously burned his lungs when fumes of antimony escaped in the lab. Regardie gave his  alchemy equipment to a friend and for the rest of his life he suffered from the effects of the accident."<br />
<br />
Contains other alchemical references.<br />
<br />
Legal status unknown.<br />
<br />
<a href="https://ia903103.us.archive.org/0/items/soi-book-collection-4/The%20Middle%20Pillar_%20The%20Balance%20Between%20Mind%20and%20Magic%20%28%20PDFDrive.com%20%29.pdf" target="_blank" rel="noopener" class="mycode_url">https://ia903103.us.archive.org/0/items/...%20%29.pdf</a>]]></description>
			<content:encoded><![CDATA["In the winter of 1936-37, Regardie was bedridden in London for two weeks with a bad case of bronchitis. During this time he wrote most of what would be published as The Philosopher's Stone, a book about alchemy from a Jungian perspective. At the time Regardie was convinced that laboratory alchemy was fallacious, and that only theoretical, spiritual, or psychological alchemy was valid. By 1970, however, interaction with practical alchemists such as Frater Albertus of the Paracelsus Research Society caused him to change his opinion on this. He began his own alchemical experiments in a small laboratory setting. Unfortunately, one of his experiments went awry and he seriously burned his lungs when fumes of antimony escaped in the lab. Regardie gave his  alchemy equipment to a friend and for the rest of his life he suffered from the effects of the accident."<br />
<br />
Contains other alchemical references.<br />
<br />
Legal status unknown.<br />
<br />
<a href="https://ia903103.us.archive.org/0/items/soi-book-collection-4/The%20Middle%20Pillar_%20The%20Balance%20Between%20Mind%20and%20Magic%20%28%20PDFDrive.com%20%29.pdf" target="_blank" rel="noopener" class="mycode_url">https://ia903103.us.archive.org/0/items/...%20%29.pdf</a>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[Explore the Mutational Alchemy Tarot Cards]]></title>
			<link>https://www.alchemywebsite.com/forums/showthread.php?tid=3627</link>
			<pubDate>Wed, 23 Sep 2026 13:03:10 +0100</pubDate>
			<dc:creator><![CDATA[<a href="https://www.alchemywebsite.com/forums/member.php?action=profile&uid=2">Paul Ferguson</a>]]></dc:creator>
			<guid isPermaLink="false">https://www.alchemywebsite.com/forums/showthread.php?tid=3627</guid>
			<description><![CDATA["Browse the individually verified, highest-resolution card fronts recovered from this rare edition in official deck order. Unavailable positions remain honestly omitted rather than filled with duplicates or uncertain substitutes. Select a group or open any card in the full-size Lightbox."<br />
<br />
<a href="https://tarotfans.com/mutational-alchemy-tarot-deck-cards-review-m1thr0s-and-izi-ningishzidda/" target="_blank" rel="noopener" class="mycode_url">https://tarotfans.com/mutational-alchemy...gishzidda/</a>]]></description>
			<content:encoded><![CDATA["Browse the individually verified, highest-resolution card fronts recovered from this rare edition in official deck order. Unavailable positions remain honestly omitted rather than filled with duplicates or uncertain substitutes. Select a group or open any card in the full-size Lightbox."<br />
<br />
<a href="https://tarotfans.com/mutational-alchemy-tarot-deck-cards-review-m1thr0s-and-izi-ningishzidda/" target="_blank" rel="noopener" class="mycode_url">https://tarotfans.com/mutational-alchemy...gishzidda/</a>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[The Medicine of the Friars in Medieval England]]></title>
			<link>https://www.alchemywebsite.com/forums/showthread.php?tid=3626</link>
			<pubDate>Wed, 23 Sep 2026 12:51:59 +0100</pubDate>
			<dc:creator><![CDATA[<a href="https://www.alchemywebsite.com/forums/member.php?action=profile&uid=2">Paul Ferguson</a>]]></dc:creator>
			<guid isPermaLink="false">https://www.alchemywebsite.com/forums/showthread.php?tid=3626</guid>
			<description><![CDATA[By Peter Murray Jones.<br />
<br />
Complete book online. Legal status unknown. Many alchemical references.<br />
<br />
<a href="https://studfile.net/preview/22073718/" target="_blank" rel="noopener" class="mycode_url">https://studfile.net/preview/22073718/</a><br />
<br />
Index with alchemical references:<br />
<a href="https://studfile.net/preview/22073718/page:30/" target="_blank" rel="noopener" class="mycode_url">https://studfile.net/preview/22073718/page:30/</a>]]></description>
			<content:encoded><![CDATA[By Peter Murray Jones.<br />
<br />
Complete book online. Legal status unknown. Many alchemical references.<br />
<br />
<a href="https://studfile.net/preview/22073718/" target="_blank" rel="noopener" class="mycode_url">https://studfile.net/preview/22073718/</a><br />
<br />
Index with alchemical references:<br />
<a href="https://studfile.net/preview/22073718/page:30/" target="_blank" rel="noopener" class="mycode_url">https://studfile.net/preview/22073718/page:30/</a>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[Collector's Items at Richard Bishop Books]]></title>
			<link>https://www.alchemywebsite.com/forums/showthread.php?tid=3625</link>
			<pubDate>Wed, 23 Sep 2026 10:36:38 +0100</pubDate>
			<dc:creator><![CDATA[<a href="https://www.alchemywebsite.com/forums/member.php?action=profile&uid=2">Paul Ferguson</a>]]></dc:creator>
			<guid isPermaLink="false">https://www.alchemywebsite.com/forums/showthread.php?tid=3625</guid>
			<description><![CDATA[Including Heliophilis. Alchemy Rising: The Green Book, Nicholas Flamel's Hieroglyphical Key, and Theatrum Chemicum Britannicum (Full Leather Edition).<br />
<br />
<a href="https://tinyurl.com/2vecnrc2" target="_blank" rel="noopener" class="mycode_url">https://tinyurl.com/2vecnrc2</a>]]></description>
			<content:encoded><![CDATA[Including Heliophilis. Alchemy Rising: The Green Book, Nicholas Flamel's Hieroglyphical Key, and Theatrum Chemicum Britannicum (Full Leather Edition).<br />
<br />
<a href="https://tinyurl.com/2vecnrc2" target="_blank" rel="noopener" class="mycode_url">https://tinyurl.com/2vecnrc2</a>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[VOYNICH Decoding Handbook: A Graphic Solution]]></title>
			<link>https://www.alchemywebsite.com/forums/showthread.php?tid=3624</link>
			<pubDate>Wed, 23 Sep 2026 10:30:09 +0100</pubDate>
			<dc:creator><![CDATA[<a href="https://www.alchemywebsite.com/forums/member.php?action=profile&uid=2">Paul Ferguson</a>]]></dc:creator>
			<guid isPermaLink="false">https://www.alchemywebsite.com/forums/showthread.php?tid=3624</guid>
			<description><![CDATA["I wrote this handbook which is a real operational manual to solve the enigma, it is divided into two parts with the specific intention of not influencing the work of the researcher who will have accepted this challenge:<br />
<br />
    the first part contains the basic and certain principles of Voynich’s writing system so as to indicate the right direction for research;<br />
    the second part contains all the work I have done on reconstructing Stencils, mapping of characters, F57v, the last page, until some hypothetical words.<br />
<br />
I strongly advise against attempting this challenge to anyone who is not used with CAD programs and Spreadsheets, and I trust that the recognition of all the work I have done will not end with the purchase of this handbook, but will materialize in sharing the solution once it is achieved."<br />
<br />
<a href="https://tinyurl.com/2et8xx26" target="_blank" rel="noopener" class="mycode_url">https://tinyurl.com/2et8xx26</a>]]></description>
			<content:encoded><![CDATA["I wrote this handbook which is a real operational manual to solve the enigma, it is divided into two parts with the specific intention of not influencing the work of the researcher who will have accepted this challenge:<br />
<br />
    the first part contains the basic and certain principles of Voynich’s writing system so as to indicate the right direction for research;<br />
    the second part contains all the work I have done on reconstructing Stencils, mapping of characters, F57v, the last page, until some hypothetical words.<br />
<br />
I strongly advise against attempting this challenge to anyone who is not used with CAD programs and Spreadsheets, and I trust that the recognition of all the work I have done will not end with the purchase of this handbook, but will materialize in sharing the solution once it is achieved."<br />
<br />
<a href="https://tinyurl.com/2et8xx26" target="_blank" rel="noopener" class="mycode_url">https://tinyurl.com/2et8xx26</a>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[Alchemy in Goethe's Faust]]></title>
			<link>https://www.alchemywebsite.com/forums/showthread.php?tid=3623</link>
			<pubDate>Wed, 23 Sep 2026 10:25:04 +0100</pubDate>
			<dc:creator><![CDATA[<a href="https://www.alchemywebsite.com/forums/member.php?action=profile&uid=2">Paul Ferguson</a>]]></dc:creator>
			<guid isPermaLink="false">https://www.alchemywebsite.com/forums/showthread.php?tid=3623</guid>
			<description><![CDATA[Mephistopheles Mercurialis: Alchemy, Daimonolatry, Magick, Philosophy &amp; Witchcraft in Goethe's Faust by Robert Anderson Plimer<br />
<br />
"Unlike traditional folklore where a sorcerer sells his soul for Black Magick and earthly desires, Goethe transforms his protagonist Faust into a symbol of modernity that deals with humanity’s restless ambition. Plimer details Goethe’s extensive use of sources that span a variety of esoteric fields including ancient Classical languages, Philosophy, and religious texts. Plimer also examines the development of the ‘Daimonic’ and ‘Shadow self’ by demonstrating how Goethe’s understanding of Magi and Magical practice was influenced by various Germanic, medieval folkloric and Renaissance Grimoiric sources Including Goethe’s own initiation through the pietist Maria von Klettenberg and who influenced Goethe’s Alchemical praxei and Rosicrucian theosophy, including his later initiation into Freemasonry."<br />
<br />
<a href="https://tinyurl.com/yc35cdhk" target="_blank" rel="noopener" class="mycode_url">https://tinyurl.com/yc35cdhk</a>]]></description>
			<content:encoded><![CDATA[Mephistopheles Mercurialis: Alchemy, Daimonolatry, Magick, Philosophy &amp; Witchcraft in Goethe's Faust by Robert Anderson Plimer<br />
<br />
"Unlike traditional folklore where a sorcerer sells his soul for Black Magick and earthly desires, Goethe transforms his protagonist Faust into a symbol of modernity that deals with humanity’s restless ambition. Plimer details Goethe’s extensive use of sources that span a variety of esoteric fields including ancient Classical languages, Philosophy, and religious texts. Plimer also examines the development of the ‘Daimonic’ and ‘Shadow self’ by demonstrating how Goethe’s understanding of Magi and Magical practice was influenced by various Germanic, medieval folkloric and Renaissance Grimoiric sources Including Goethe’s own initiation through the pietist Maria von Klettenberg and who influenced Goethe’s Alchemical praxei and Rosicrucian theosophy, including his later initiation into Freemasonry."<br />
<br />
<a href="https://tinyurl.com/yc35cdhk" target="_blank" rel="noopener" class="mycode_url">https://tinyurl.com/yc35cdhk</a>]]></content:encoded>
		</item>
		<item>
			<title><![CDATA[Artist: Lakandiwa (John Paul "Lakan" Olivares)]]></title>
			<link>https://www.alchemywebsite.com/forums/showthread.php?tid=3622</link>
			<pubDate>Wed, 23 Sep 2026 10:21:22 +0100</pubDate>
			<dc:creator><![CDATA[<a href="https://www.alchemywebsite.com/forums/member.php?action=profile&uid=2">Paul Ferguson</a>]]></dc:creator>
			<guid isPermaLink="false">https://www.alchemywebsite.com/forums/showthread.php?tid=3622</guid>
			<description><![CDATA["Lakandiwa" in the context of alchemy typically refers to the spiritual, symbolic artwork of Filipino traditional artist John Paul "Lakan" Olivares (who creates under the pseudonym [Lakandiwa on DeviantArt](<a href="https://www.deviantart.com/lakandiwa" target="_blank" rel="noopener" class="mycode_url">https://www.deviantart.com/lakandiwa</a>)). [1] <br />
His most prominent piece in this domain is a detailed metallic gel pen illustration titled "Soul Alchemy - Fire and Water" (2010), which explores esoteric and sacred geometry themes. [2, 3] <br />
------------------------------<br />
## 1. The Artwork: "Soul Alchemy - Fire and Water"<br />
In Olivares' portfolio, "Soul Alchemy" depicts a celestial, symbolic union. [3] <br />
<br />
* The Medium: Finely detailed, hand-drawn art using metallic gel pens on illustration board. [1, 3] <br />
* The Concept: Described by the artist as "a pact made in the heavens... to bless the union of the earth keepers". It heavily incorporates themes of spiritual alchemy, cosmic Ouroboros (the snake eating its own tail), sacred geometry, and the balancing of opposite elemental forces (Fire and Water / As Above, So Below). [2, 3] <br />
* Other Mystical Works: Under the same moniker, the artist has created several other hermetic and esoteric pieces, including Angellum, The Tree of Life, and Mandala of Creation's Invocation. [4, 5, 6] <br />
<br />
## 2. Linguistic Breakdown: "Lakandiwa" as Alchemical Spirit<br />
Outside of the specific artwork, the word Lakandiwa itself carries a deep philosophical meaning in the Philippines that aligns closely with alchemical principles of transformation and the soul.<br />
In traditional Filipino culture, a Lakandiwa is the poetic moderator or judge in a Balagtasan (a traditional bated debate held in verse). However, looking at its etymology provides a deeper "alchemical" framework of the human condition: [7, 8] <br />
<br />
* Lakan: Historically refers to a warrior, a nobleman, or a leader caste in ancient Tagalog society.<br />
* Diwa: Translates to "spirit", "essence", "thought", or "soul". [7, 9] <br />
<br />
When combined, scholars and philosophers note that Lakandiwa can be translated as "The Spirit of the Warrior" or the alignment of leadership with the soul—representing an inner, self-mastering alchemy where a person harmonizes their physical actions (the warrior) with their divine purpose (the spirit). [7] <br />
<br />
[1] [<a href="https://www.deviantart.com" target="_blank" rel="noopener" class="mycode_url">https://www.deviantart.com</a>](<a href="https://www.deviantart.com/lilyas/journal/Art-Feature-for-Lakandiwa-683691506" target="_blank" rel="noopener" class="mycode_url">https://www.deviantart.com/lilyas/journa...-683691506</a>)<br />
[2] [<a href="https://www.pinterest.com" target="_blank" rel="noopener" class="mycode_url">https://www.pinterest.com</a>](<a href="https://www.pinterest.com/pin/soul-alchemy-fire-and-water--567875834245109944/" target="_blank" rel="noopener" class="mycode_url">https://www.pinterest.com/pin/soul-alche...245109944/</a>)<br />
[3] [<a href="https://www.deviantart.com" target="_blank" rel="noopener" class="mycode_url">https://www.deviantart.com</a>](<a href="https://www.deviantart.com/lakandiwa/art/Soul-Alchemy-Fire-and-Water-164776657" target="_blank" rel="noopener" class="mycode_url">https://www.deviantart.com/lakandiwa/art...-164776657</a>)<br />
[4] [<a href="https://www.pinterest.com" target="_blank" rel="noopener" class="mycode_url">https://www.pinterest.com</a>](<a href="https://www.pinterest.com/pin/169518373461786188/" target="_blank" rel="noopener" class="mycode_url">https://www.pinterest.com/pin/169518373461786188/</a>)<br />
[5] [<a href="https://www.deviantart.com" target="_blank" rel="noopener" class="mycode_url">https://www.deviantart.com</a>](<a href="https://www.deviantart.com/lakandiwa/art/Mandala-of-Creation%27s-Invocation-274598952" target="_blank" rel="noopener" class="mycode_url">https://www.deviantart.com/lakandiwa/art...-274598952</a>)<br />
[6] [<a href="https://nz.pinterest.com" target="_blank" rel="noopener" class="mycode_url">https://nz.pinterest.com</a>](<a href="https://nz.pinterest.com/pin/294282156917027539/" target="_blank" rel="noopener" class="mycode_url">https://nz.pinterest.com/pin/294282156917027539/</a>)<br />
[7] [<a href="https://www.academia.edu" target="_blank" rel="noopener" class="mycode_url">https://www.academia.edu</a>](<a href="https://www.academia.edu/16136728/Lakandiwa_The_Way_of_the_Ancient_Warrior" target="_blank" rel="noopener" class="mycode_url">https://www.academia.edu/16136728/Lakand...nt_Warrior</a>)<br />
[8] [<a href="https://en.wikipedia.org" target="_blank" rel="noopener" class="mycode_url">https://en.wikipedia.org</a>](<a href="https://en.wikipedia.org/wiki/Balagtasan" target="_blank" rel="noopener" class="mycode_url">https://en.wikipedia.org/wiki/Balagtasan</a>)<br />
[9] [<a href="https://kaikki.org" target="_blank" rel="noopener" class="mycode_url">https://kaikki.org</a>](<a href="https://kaikki.org/dictionary/Tagalog/meaning/l/la/lakandiwa.html" target="_blank" rel="noopener" class="mycode_url">https://kaikki.org/dictionary/Tagalog/me...ndiwa.html</a>)<br />
<br />
<br />
<a href="https://www.deviantart.com/lakandiwa/art/Soul-Alchemy-Fire-and-Water-164776657" target="_blank" rel="noopener" class="mycode_url">https://www.deviantart.com/lakandiwa/art...-164776657</a>]]></description>
			<content:encoded><![CDATA["Lakandiwa" in the context of alchemy typically refers to the spiritual, symbolic artwork of Filipino traditional artist John Paul "Lakan" Olivares (who creates under the pseudonym [Lakandiwa on DeviantArt](<a href="https://www.deviantart.com/lakandiwa" target="_blank" rel="noopener" class="mycode_url">https://www.deviantart.com/lakandiwa</a>)). [1] <br />
His most prominent piece in this domain is a detailed metallic gel pen illustration titled "Soul Alchemy - Fire and Water" (2010), which explores esoteric and sacred geometry themes. [2, 3] <br />
------------------------------<br />
## 1. The Artwork: "Soul Alchemy - Fire and Water"<br />
In Olivares' portfolio, "Soul Alchemy" depicts a celestial, symbolic union. [3] <br />
<br />
* The Medium: Finely detailed, hand-drawn art using metallic gel pens on illustration board. [1, 3] <br />
* The Concept: Described by the artist as "a pact made in the heavens... to bless the union of the earth keepers". It heavily incorporates themes of spiritual alchemy, cosmic Ouroboros (the snake eating its own tail), sacred geometry, and the balancing of opposite elemental forces (Fire and Water / As Above, So Below). [2, 3] <br />
* Other Mystical Works: Under the same moniker, the artist has created several other hermetic and esoteric pieces, including Angellum, The Tree of Life, and Mandala of Creation's Invocation. [4, 5, 6] <br />
<br />
## 2. Linguistic Breakdown: "Lakandiwa" as Alchemical Spirit<br />
Outside of the specific artwork, the word Lakandiwa itself carries a deep philosophical meaning in the Philippines that aligns closely with alchemical principles of transformation and the soul.<br />
In traditional Filipino culture, a Lakandiwa is the poetic moderator or judge in a Balagtasan (a traditional bated debate held in verse). However, looking at its etymology provides a deeper "alchemical" framework of the human condition: [7, 8] <br />
<br />
* Lakan: Historically refers to a warrior, a nobleman, or a leader caste in ancient Tagalog society.<br />
* Diwa: Translates to "spirit", "essence", "thought", or "soul". [7, 9] <br />
<br />
When combined, scholars and philosophers note that Lakandiwa can be translated as "The Spirit of the Warrior" or the alignment of leadership with the soul—representing an inner, self-mastering alchemy where a person harmonizes their physical actions (the warrior) with their divine purpose (the spirit). [7] <br />
<br />
[1] [<a href="https://www.deviantart.com" target="_blank" rel="noopener" class="mycode_url">https://www.deviantart.com</a>](<a href="https://www.deviantart.com/lilyas/journal/Art-Feature-for-Lakandiwa-683691506" target="_blank" rel="noopener" class="mycode_url">https://www.deviantart.com/lilyas/journa...-683691506</a>)<br />
[2] [<a href="https://www.pinterest.com" target="_blank" rel="noopener" class="mycode_url">https://www.pinterest.com</a>](<a href="https://www.pinterest.com/pin/soul-alchemy-fire-and-water--567875834245109944/" target="_blank" rel="noopener" class="mycode_url">https://www.pinterest.com/pin/soul-alche...245109944/</a>)<br />
[3] [<a href="https://www.deviantart.com" target="_blank" rel="noopener" class="mycode_url">https://www.deviantart.com</a>](<a href="https://www.deviantart.com/lakandiwa/art/Soul-Alchemy-Fire-and-Water-164776657" target="_blank" rel="noopener" class="mycode_url">https://www.deviantart.com/lakandiwa/art...-164776657</a>)<br />
[4] [<a href="https://www.pinterest.com" target="_blank" rel="noopener" class="mycode_url">https://www.pinterest.com</a>](<a href="https://www.pinterest.com/pin/169518373461786188/" target="_blank" rel="noopener" class="mycode_url">https://www.pinterest.com/pin/169518373461786188/</a>)<br />
[5] [<a href="https://www.deviantart.com" target="_blank" rel="noopener" class="mycode_url">https://www.deviantart.com</a>](<a href="https://www.deviantart.com/lakandiwa/art/Mandala-of-Creation%27s-Invocation-274598952" target="_blank" rel="noopener" class="mycode_url">https://www.deviantart.com/lakandiwa/art...-274598952</a>)<br />
[6] [<a href="https://nz.pinterest.com" target="_blank" rel="noopener" class="mycode_url">https://nz.pinterest.com</a>](<a href="https://nz.pinterest.com/pin/294282156917027539/" target="_blank" rel="noopener" class="mycode_url">https://nz.pinterest.com/pin/294282156917027539/</a>)<br />
[7] [<a href="https://www.academia.edu" target="_blank" rel="noopener" class="mycode_url">https://www.academia.edu</a>](<a href="https://www.academia.edu/16136728/Lakandiwa_The_Way_of_the_Ancient_Warrior" target="_blank" rel="noopener" class="mycode_url">https://www.academia.edu/16136728/Lakand...nt_Warrior</a>)<br />
[8] [<a href="https://en.wikipedia.org" target="_blank" rel="noopener" class="mycode_url">https://en.wikipedia.org</a>](<a href="https://en.wikipedia.org/wiki/Balagtasan" target="_blank" rel="noopener" class="mycode_url">https://en.wikipedia.org/wiki/Balagtasan</a>)<br />
[9] [<a href="https://kaikki.org" target="_blank" rel="noopener" class="mycode_url">https://kaikki.org</a>](<a href="https://kaikki.org/dictionary/Tagalog/meaning/l/la/lakandiwa.html" target="_blank" rel="noopener" class="mycode_url">https://kaikki.org/dictionary/Tagalog/me...ndiwa.html</a>)<br />
<br />
<br />
<a href="https://www.deviantart.com/lakandiwa/art/Soul-Alchemy-Fire-and-Water-164776657" target="_blank" rel="noopener" class="mycode_url">https://www.deviantart.com/lakandiwa/art...-164776657</a>]]></content:encoded>
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