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Alchemical and Hermetic Prints 1-20
1-20   21-40    41-60   61-80   81-100   101-120   121-140   141-160   161-180   181-200   201-220   221-240    241-260
Price list and order page - Standard prints


A001. An image of the astrologer consulting the heavens. From Robert Fludd's Utriusque cosmi historia, Vol II.
Also available in large format

A002. Frontispiece engraving from Johann Helfrich JÜNGKEN, Chymia experimentalis, Frankfurt, 1701.

A003. Engraving from Michel de Marolles, Tableaux du temple des muses, Paris, 1655.

A004. Engraving from Gottfried Moebius, Neu-Angezundt-Hell-brennendes Feuer, oder Mercurial-Liecht..., Augsburg, 1680.
Also available in large format

A005. Frontispiece to an 18th century German book entitled 'the compass of the wise'.
Also available in large format

A006. The Macrocosm and the Microcosm. Frontispiece from Robert Fludd's Utriusque cosmi historia.
Also available in large format

A007. Woodcut from Andreas Libavius Commentariorum alchymiae.
Also available in large format

A008. Frontispiece from Balduin's Aureum superius et inferius.
Also available in large format

A009. Redrawn from a manuscript in the Manly Palmer Hall collection.

A010. Sixth woodcut from the series in Basil Valentine's Azoth.

A011. Man at the centre of the fortress of health, protected by the angels. From Robert Fludd's Medicina catholica.
Also available in large format

A012. Seventh woodcut from the series in Basil Valentine's Azoth.

A013. Engraving from Barchusen's version of the 'Crowning of Nature'.

A014. Redrawn from a 15th century manuscript in the British Library, Harley 2407.

A015. Redrawn from a 14th century manuscript in Cracow of Al-Razi's 'Opera Medicinalia'.

A016. Large engraving of the polarities in the macrocosm and the microcosm, from J.D. Mylius Opus medico-chymicum. Landscape format
Also available in large format

A017. From Theophilus Schweighardt's 'Mirror of the Rosicrucian wisdom'.
Also available in large format

A018. Frontispiece from Beroalde de Verville's Le Voyage des princes fortunez.
Also available in large format

A019. Frontispiece from Beroalde de Verville's Le Tableau des riches inventions.
Also available in large format

A020. An alchemist, possibly Irenaeus Philalethes, in his laboratory. From Pyrotechnia ofte Vuur-stook-Kunde, Amsterdam, 1687.

A021. Frontispiece from Baro Urbigerus, Aphorismi Urbigerani, London, 1690.
Also available in large format

A022. Engraving from, Le triomphe hermetique, Amsterdam, 1689.
Also available in large format

A023. Frontispiece to 'Brunnen der Weissheit' in Fünff curieuse chymische tractätlein, Frankfurt, 1757.

A024. Woodcut frontispiece from Annibal Barlet Le vray et methodique cours..., Paris, 1651.

A025. Woodcut from Hieronymus Braunschweig Das Buch zu distillieren, Strassburg, 1519.

A026. Engraved frontispiece from Moses Charas Neu-erfahrne Proben von der Viper... , Frankfurt, 1679.

A027. Engraving 3 from Stefan Michelspacher Cabala, Spiegel der Kunst und Natur, Augsburg, 1615.

A028. Frontispiece to J. J. Becher Oedipus chimicus, Amsterdam, 1664.

A029. Engraving from Sabine Stuart de Chevalier Discours philosophique, Paris, 1781.

A030. Frontispiece from Johann de Monte-Snyders Metamorphosis planetarum, Amsterdam 1663.

A031. Frontispiece from Nicolas de Locques Les Rudiments de la Philosophie Naturelle, Paris, 1665.
Also available in large format

A032. Figure from Elias Ashmole Theatrum chemicum britannicum, London, 1652.

A033. Frontispiece from Knorr von Rosenroth Kabbala Denudata, Sulzbach 1677.

A034. Frontispiece from Christopher Love Morley Collectanea chymica Leydensia, Leiden, 1693.

A035. Frontispiece from Johann Daniel Mylius Philosophia reformata, Frankfurt, 1622.

A036. Frontispiece from manuscript version of Georg von Welling Opus mago-cabbalisticum.

A037. Woodcut from Lazarus ecker Beschreibung allerfurnemisten mineralischen Ertzt unnd Bergkwercks arten, Frankfurt, 1598.

A038. 18th century engraving based on work of Basil Valentine.
Also available in large format

A039. Engraving from Thomas Vaughan Lumen de lumine, London, 1651.
Also available in large format

A040. Woodcut from 'Cabala chemica' in Volume VI of Theatrum chemicum, Hamburg, 1659.

A041. Figure from an 18th century manuscript entitled Bibliotheque des sages.

A042. Engraving of hermaphrodite from an 18th century version of the Rosarium philosophorum.

A043. Engraving from Baro Urbigerus, Besondere chymische Schrifften, Hamburg, 1705.

A044. Engraving from Baro Urbigerus, Besondere chymische Schrifften, Hamburg, 1705.

A045. Tree of dark and light from Valentine Weigel Studium Universale, 1695.

A046. Illustration from a manuscript in the British Library, MS. Sloane 3667, a 17th century copy of George Ripley Marrow of Alchemy.

A047. Frontispiece to Hermetis Trismegisti Erkäntnüss der natur, Hamburg, 1706.

A048. Pyramid of lions, from Andreas Libavius, Alchymia, Frankfurt, 1606.

A049. Frontispiece from Johann Gottfried Kiessling, Relatio practica Leipzig, 1752.

A050. Engraving from Musaeum hermeticum, Frankfurt, 1625.

A051. Engraving from J.D. Mylius Philosophia reformata, Frankfurt, 1622.

A052. Frontispiece from Adolph Christoph Bentz, Philosophische Schau-Bühne Nurnberg, 1706.

A053. Frontispiece Johann Georg Schmid, Der von Mose u. denen Propheten übel urtheilende Alchymist Chemnitz, 1706. This engraving was re-used as the frontispiece to Leonhard von Altenburg, Delarvatio tincturæ philosophorum, 1769.

A054. Frontispiece engraving from Joannis Agricola Commentariorum, Notarum, Observationum & Animadversionum in Johannis Poppii chymische Medicin, Leipsig, 1638.

A055. Engraving from J.D. Mylius Philosophia reformata, Frankfurt, 1622.

A056. Engraving from Giovanni Lacinio, Pretiosa margarita..., Leipsig, 1714.

A057. Image of Phanes emerging from the world egg. Redrawn from a sculpured relief by Adam McLean.

A058. Redrawn from the frontispiece engraving to Denis Zachaire Die Natürliche Philosophia, 1724.

A059. Engraving from J. A. Siebmacher, Das güldene Vleiss, Nurnberg, 1737.

A060. Woodcut from Francesco Petrarcha, Das Glückbuch Beydes des Guten und Bösen, Augsburg, 1539.

A061. 'Ora et labora' woodcut from Medicinisch-chymisch- und alchemistische Oraculum, Ulm 1755.

A062. The Invisible college of the Rosicrucians, Theophilus Schweighardt Speculum sophicum rhodo-stauroticum, 1618.
Also available in large format

A063. Section of Ripley Scroll from engraving in David Beuther, Universal und particularia, Hamburg, 1718.

A064. Frontispiece from Jacob Boehme, 'Signatura Rerum' in Theosophische Werken, Amsterdam, 1682.

A065. Engraving from I.C. H., Das Hermes Trimegists, Leipsig, 1782.

A066. Woodcut from Johann Sternhals Ritter-Krieg, Erfurt, 1595.

A067. Engraved title from John Dee, Monas hieroglyphica, Antwerp, 1564.

A068. Woodcut of triple-headed dragon from Giovanni Battista Nazari Il metamorfosi metallico, Brescia, 1564.

A069. Vitriol acrostic (originally from Basil Valentine) in Johann Neithold Aureum Vellus; oder Güldenes Vleiss, Frankfurt, 1733.

A070. Woodcut from Geber De alchimia libri tres, Strassburg, 1631.

A071. Peering through the cosmic sphere - illustration from 'L'atmosphere: meteorologie populaire',Paris 1888, by Camille Flammarion.
Also available in large format

A072. The Divine monochord Utriusque Cosmi Historia, 1617 by Robert Fludd.

A073. Hermetic silence - emblem from Achille Bocchi Symbolicarum quaestionem de universo genere, 1574.

A074. Masonic/alchemical image from Die Theoretischen Brüder oder zweite Stufe der Rosenkreutzer, 1785.
Also available in large format

A075. Mercury emerging from the sea, J.E Muller Wunder-Materie, 1707.
Also available in large format

A076. Engraving from Ashmole's Theatrum Chemcicum Britannicum, 1652.

A077. Alchemical heraldry from D. Lagneau Harmonie chymique, 1636.

A078. Engraving from Sabine Stuart de Chevalier, Discours philosophique, 1781.
Also available in large format

A079. Engraving from Michael Maier, Tripus aureus, 1618.

A080. . Joseph ben Abraham Gikatilla, Portae lucis, 1516.

Also available in large format

A081. The mind of the microcosm from Robert Fludd Utriusque cosmi... historia, 1619.

A082. Frontispiece from Etteilla Les sept nuances de l'oeuvre philosophique-hermétique, 1785.
Also available in large format

A083. Frontispiece from Lazarus ecker Aula subterranea, 1672.
Also available in large format

A084. Frontispiece from Natalis Comes Mythologiae, 1616
Also available in large format

A085.
Also available in large format

A086. Frontispiece engraving from Urban Hjärne Actorum Chemicorum Holmiensium, 1753

A087. Engraving from Robert Fludd Medicina Catholica, 1629.
Also available in large format

A088. Frontispiece woodcut from Zadith ben Hamuel De Chemia Senioris, 1566.

A089. Engraving from Ashmole, Theatrum Chemicum Britannicum, 1652.

A090. Frontispiece from Becher Physica subterranea, 1703.

A091. Engraving one from Norton's 'Ordinall' in Ashmole, Theatrum Chemicum Britannicum, 1652.
Also available in large format

A092. Engraving two from Norton's 'Ordinall' in Ashmole, Theatrum Chemicum Britannicum, 1652.
Also available in large format

A093. Engraving three from Norton's 'Ordinall' in Ashmole, Theatrum Chemicum Britannicum, 1652.
Also available in large format

A094. Engraving four from Norton's 'Ordinall' in Ashmole, Theatrum Chemicum Britannicum, 1652.
Also available in large format

A095. Engraving five from Norton's 'Ordinall' in Ashmole, Theatrum Chemicum Britannicum, 1652.
Also available in large format

A096. Engraving six from Norton's 'Ordinall' in Ashmole, Theatrum Chemicum Britannicum, 1652.
Also available in large format

A097. Engraving of Flamel's hieroglyphic figures from Des berühmten Philosophi Nicolai Flamelli Chymische Werke, 1751.

A098. Engraving of Flamel's hieroglyphic figures from Des berühmten Philosophi Nicolai Flamelli Chymische Werke, 1751.

A099. Redrawn from engraving in Jean Brouaut, Traité de l'eau de vie, 1646.

A100. Engraving on titlepage of Maier, Tripus aureus, 1618.

A101.Frontispiece from Johann Schütze Ein altes, sehr schönes und herrliches Tractätlein von dem Gebenedeyten Stein, 1682.

A102. Frontispiece from Vanderbeeg Manuductio Hermetico-philosophica, 1739.
Also available in large format

A103. Woodcut from Libavius Commentariorum alchymiae, 1606.

A104. Engraved title page of Oswald Croll Basilica chymica, 1609.
Also available in large format

A105.Frontispiece from Abraham Eleazar,Uraltes chymisches Werck, Erfurt, 1735.

A106. Woodcut from Hieronymus Brunschweig Das Buch zu distillieren, [1517.]

A107. Engraving from work of Giovanni Battista Diana Paleologo (1656-1744).

A108. Redrawn from Theophilus Schweighardt Pandora sextae aetatis, 1617.

A109.Engraving from Malachias Geiger Microcosmus hypochondriacus, Munich, 1651.
Also available in large format

A110. Woodcut from Petrarch Das Glüchbuch, Augsburg, 1539.

A111. Maria the Jewess from Maier Symbola aurea mensae, Franckfurt, 1617.

A112. Avicenna from Maier Symbola aurea mensae, Franckfurt, 1617.

A113. Hermes Trismegistus from Maier Symbola aurea mensae, Franckfurt, 1617.

A114. Democritus from Maier Symbola aurea mensae, Franckfurt, 1617.

A115. Morienus from Maier Symbola aurea mensae, Franckfurt, 1617.

A116. Albertus Magnus from Maier Symbola aurea mensae, Franckfurt, 1617.

A117. Sendivogius from Maier Symbola aurea mensae, Franckfurt, 1617.

A118. Roger Bacon from Maier Symbola aurea mensae, Franckfurt, 1617.

A119. Frontispiece from C.F. Sabor Practica naturae vera, 1721.

A120. The hand of the philosophers from J.J. Hollandus, Chymische Schrifften, Vienna, 1773.

A121. Engraving by E. van Hove, Der Alchemist, 1883.

A122. 17th century engraving of distillation apparatus.

A123. 15th century astrological woodcut.
Also available in large format

A124. Frontispiece from Jean Beguin, Tyrocinium chymicum, 1660

A125. Image from the Aurora consurgens.

A126. Melchior Cibinensis from Maier Symbola aurea mensae, Franckfurt, 1617.

A127. Frontispiece from Arnold Bachimius-Destonius, Pan-Sophia Enchiretica 1682.

A128. Engraving from Samuel Norton, Alchymiæ complementum..., 1630.

A129. Engraving from Baro Urbigerus Besondere chymische Schrifften, 1705.

A130. Engraving one from Johannes de Maldini Mirabilia Mundi, 1754.

A131. Engraving two from Johannes de Maldini Mirabilia Mundi, 1754.

A132. Engraving from Baro Urbigerus Besondere chymische Schrifften, 1705.

A133. Frontispiece engraving from Drey curieuse chymische tractätlein, 1774.

A134. Frontispiece engraving from Microcosmische vorspiele des neuen Himmels und der neuen Erde, 1744.

A135. Frontispiece engraving from Hermann Fictuld Der längst gewünschte und versprochene Chymisch-Philosophische Probier-Stein, 1740.

A136. Woodcut title page The Cosmographical Glasse, 1559.

A137.Frontispiece from Siebmacher Wasserstein der Weysen, 1704.

A138.Frontispiece from Geheimnisse einiger Philosophen und Adepten, 1780.

A139.Frontispiece from Alexander von Suchten Chymische Schrifften, 1680.

A140. Frontispiece from Carl Herrmann Gravel Fontina Bernhardi revelata, 1750.

A141. Engraving one from Michelspacher Cabala: Spiegel der Kunst und Natur, 1615.

A142. Engraving two from Michelspacher Cabala: Spiegel der Kunst und Natur, 1615.

A143. Engraving three from Michelspacher Cabala: Spiegel der Kunst und Natur, 1615.

A144. Engraving four from Michelspacher Cabala: Spiegel der Kunst und Natur, 1615.

A145. Woodcut from Petrus Bonus, Pretiosa margarita novella, Venice, 1546,

A146. Frontispiece from Geber, Summa perfectionis Magisteri, Danzig, 1682.

A147. Engraving from Vincentius Koffsky, Hermetische schriften, Nurnberg, 1786.

A148. Engraving from G. B. Diana Paleologo, Sacra Universal Filosofia, Lucca, 1713.

A149. Engraving from Valentine's 'Twelve Keys' in the Musaeum hermeticum, Frankfurt 1678.
A150. Emblem 2 from Barchusen, Elementa chemiae, Leiden, 1718. A151. Reisch, Margarita Philosophica, Freiburg 1504. A152. From titlepage of J.B. Van Helmont Opera Omnia, Franckfurt, 1682.

A153. Engraving from Robert Fludd, Summum bonum, Frankfurt 1629.

A154. Engraving from later edition of Flamel in Jean Maugin de Richenbourg, Bibliotheque des philosophes chimiques, Paris, 1741.

A155. Engraved title page from Michael Maier, Viatorium, hoc est, de montibus planetarum septem seu metallorum, Rouen, 1651.

A156. Engraving, 19th Century.

A157. Frontispiece engraving from Johann Michael Faust Philalethes Illustratus Frankfurt, 1706.

A158. Woodcut from Ramon Lull, Liber de ascensu et descensu intellectus, Valencia, 1512.

A159. Engraving from Christian Friedrich Sendimir von Siebenstern Chymischer Monden-schein, Frankfurt, 1739.

A160. Engraving from De Hooghe, Hieroglyphica oder Denkbilder der alten Völker, Amsterdam, 1744.

A161.Redrawn version of George Ripley's tomb.

A162.Titlepage engraving from Schweighardt Speculum sophicum Rhodostauroticum, 1618.

A163.Engraved titlepage from Johann Joachim Becher, Natur-Kündigung der Metallen, Frankfurt, 1661.

A164.Engraving from Nicolas Le Fèvre, Chymischer Handleiter, und guldnes Kleinod, Nurnberg, 1676.

A165. J. De Vries, Fourneau, 16th Century.

A166. Woodcut from Philip Ulstad, Coelum Philosophorum, Strassburg, 1526.

A167. Engraving from Hermogenes, Des aufrichtigen Hermogenes Apocalypsis, Leipzig, 1739.

A168. Engraving from Johann Joachim Becher, Opuscula chymica rariora, Nurnberg, 1719

A169. Engraving from Karl von Eckhartshausen, Zahlenlehre der Natur, Leipzig, 1794.

A170. Engraved titlepage from Michael Maier, Viatorium, Oppenheim, 1618

A171. Engraved titlepage from Mylius, Anatomia Auri, Frankfurt, 1628.

A172.

A173. Frontispiece engraving from Der hermetische Philosophus oder Haupt-Schlüssel, Frankfurt, 1709.

A174. Frontispiece engraving from Der hermetische Philosophus oder Haupt-Schlüssel, Frankfurt, 1709.

A175. Engraving of Mercurius Trismegistus from Pierre Mussard, Historia Deorum fatidicorum, Venice, 1675.

A176. Thomas Charnock's furnace from a manuscript, 16th century.

A177. Engraving of Cosmological diagram from Helisaeus Röslin De Opere Dei Creationis, seu, de mundo hypotheses, Franckfurt, 1597.

A178. Engraving by Abraham Bosse La calcination Solaire de l'antimoine (Calcination of antimony by sunlight.)

A179. Frontispiece engraving from Karl von Eckhartshausen Aufschlüsse zur Magie, Munich, 1788.

A180. Engraving from Anonymus von Schwartzfuss Das Blut der Natur, Frankfurt and Leipzig, 1767.

A181. Engraved tile page from Musaeum hermeticum, 1625.

A182. Woodcut from Bartholomaeus, Anglicus Le proprietaire des choses, Lyon 1490.

A183. Engraving from title page of Ashmole Theatrum Chemicum Britannicum, 1652.

A184. Woodcut from Nazari, Della tramutatione metallica sogni tre, 1572.

A185. Title page engraving from Christoph Glasser, Chimischer Wegweiser, 1710.

A186.Frontispiece engraving from J.J . Becher, Tripus hermeticus fatidicus, 1689.

A187.

A188.Part of engraved titlepage from Johann Rhenanus, Solis e puteo emergentis, Frankfurt, 1613

A189. Enraving from Johann Christoph von Ettner Des getreuen Eckharts Entlauffener Chymicus, Augsburg, 1697.

A190.Woodcut from Hortus Sanitatis, Strasbourg c. 1497.

A191.Engraved frontispiece from Giambattista della Porta, Magiae naturalis libri vigenti, Leiden 1644.

A192.Engraving from Maier Septimana philosophica, Franckfurt, 1620.

A193.Second engraved frontispiece from J. P. Maul Gründliche Beschreibung des höchsten Kleinods der Welt... Gotha, 1714.

A194.First engraved frontispiece from J. P. Maul Gründliche Beschreibung des höchsten Kleinods der Welt... Gotha, 1714.

A195.Engraved title page from Mylius Opus Medico Chemicum Frankfurt 1618.

A196.Woodcut from Hieronymus Braunschweig Das Buch zu distillieren

A197.Engraved title page from Michael Maier Arcana arcanissima, 1614.

A198.Engraved title page from J Ziegler Fermentatio, Generationis et Corruptionis causa, Basel, 1647 .

A199.Engraving from C Gesner, The Practice of the New and Old Physicke, London, 1599.

A200.Engraving from C Gesner, The Practice of the New and Old Physicke, London, 1599.

A201.Engraving from C Gesner, The Practice of the New and Old Physicke, London, 1599.

A202.

A203.Engraved title page from John Swan Speculum Mundi, Cambridge, 1644.

A204.Woodcut from Annibal Barlet, Le vray et methodique cours... Paris, 1651.

A205.Engraved titlepage from Georg Kirsten, Adversaria et animadversiones in Johannis Agricola, Stettin, 1648.

A206.Frontispiece engraving from David Beuther Universal und Particularia, Hamburg, 1718.

A207.

A208.Fictuld, Herman. Azoth et Ignis. Leipzig, 1749.

A209.Engraving from Fictuld, Herman. Azoth et Ignis. Leipzig, 1749.

A210.Engraving from Johann Joachim Becher Tripus hermeticus fatidicus Frankfurt, 1689.

A211.Engraving redrawn from Die Lehren der Rosenkreuzer aus dem 16ten und 17ten Jahrhundert. Altona, 1785.

A212.Engraving redrawn from Die Lehren der Rosenkreuzer aus dem 16ten und 17ten Jahrhundert. Altona, 1785.

A213.Engraving from Basil Valentine, Chymische Schrifften. Hamburg, 1717.

A214.Engraved title page from Libavius Syntagmatis selectorum... Frankfurt 1613 (reused from Alchymia... 1605.)

A215.Frontispeice engraving from Adolph Christoph Bentz Philosophische Schau-Bühne Nurnberg, 1706.

A216.Engraving from Franz Clinge Ein Richtiger-Wegweiser... Berlin, 1701.

A217.Frontispiece engraving from Der curieusen Kunst- und Werck-Schul, Nurnberg, 1696.

A218.Woodcut from Toeltius Coelum reseratum chymicum... Frankfurt, 1737.

A219.Frontispiece from Kenelm Digby, Demonstratio immortalitatis animae rationalis, Frankfurt 1664.

A220.Engraved frontispiece Falscher und wahrer Lapis Philosophorum, Frankfurt, 1752.

A221.

A222.Engraving on titlepage of Hiebner von Schneebergk Mysterium Sigillorum, Erfurt, 1696.

A223.Engraving from titlepage Robert Fludd, Utriusque cosmi historia, Tome II, Oppenheim 1620.

A224.Woodcut title page from Hieronymus Braunschweig, Distilierbuch der rechten Kunst, 1552.

A225.Woodcut on title page of Das Geheimniss der hermetischen Philosophie, Frankfurt and Leipzig, 1770.

A226.Frontispiece from Theatrum Sympateticum Amsterdam, 1727.

A227.Frontispiece from Michael Sendivogius, Chymische Schrifften, Vienna, 1750.

A228.Frontispiece engraving from Bernard Trevisanus Chymische Schrifften Nurnberg, 1747.

A229. Engraving one from Drey curieuse chymische Tractälein, Frankfurt 1704.

A230. Engraving two from Drey curieuse chymische Tractälein, Frankfurt 1704.

A231. Engraving three from Drey curieuse chymische Tractälein, Frankfurt 1704.

A232. Engraving four from Drey curieuse chymische Tractälein, Frankfurt 1704.

A233. Frontispiece engraving from Johann Heinrich Cohausen Lumen Novum Phosphoris Accensum Amsterdam 1717.

A234. Frontispiece engraving from Johann Heinrich Cohausen Helmontius ecstaticus Amsterdam, 1731.

A235. Engraving from Giambattista della Porta Magia Naturalis Nuremberg, 1680.

A236. Engraving from Glauber Furni novi philosophici Amsterdam, 1651.

A237. Engraving from Felix Maurer Observationes Curioso-Physicae Frankfurt and Leipzig, 1713.

A238. Frontispiece engraving from Johannes Kunckel Observationes Chymicae London and Rotterdam, 1678.

A239. Woodcut from Philipp Ulstad Coelum philosophorum Lyon, 1553.

A240. Woodcut from Vannoccio Biringuccio Pirotechnia Venice, 1540.

A241. Engraving of cubic stone from Maurisches Handbuch Leipzig, 1829.

A242. Engraving of cubic stone from Maurisches Handbuch Leipzig, 1829.

A243. Engraving from J.F. Henkel Unterricht von der Mineralogie Dresden, 1747.

A244. Woodcut from Libavius Syntagma selectorum Frankfurt, 1611.

A245. Engraving from Malachias Geiger Microcosmus hypochondriacus, Munich, 1651.

A246. Engraving from Barchusen Elementa chemiae Leiden, 1718.

A247. Engraving from Barchusen Elementa chemiae Leiden, 1718.

A248. Engraving on title page of Basil Valentine Revelation des mysteres Paris, 1668

A249. Engraving from J.J. Becher Actorum laboratorii chymici Monacensis Frankfurt, 1669.

A250. Illustration from August Strindberg Inferno Berlin 1898

A251*. Woodcut from Ashmole Theatrum Chemicum Britaanicum, London, 1652.

A252.

A253. Woodcut title page from Biringuccio De la Pirotechnia, 1540.

A254. Engraving from Dorn, Gerhardt Aurora, Basel, 1577.

A255*. From Athanasius Kircher Mundus Subterraneus, Amsterdam, 1665.

A256*. Unknown original included in Albert Poisson Theories et Symboles de Alchimistes, Paris, 1891.

A257. Engraving 16th century, Amsterdam.

A258. Engraving from Athanasius Kircher, Musurgia universalis, 1650.

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